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Praise Choruses

How do modern praise choruses compare to praying short prayers repeatedly in the Orthodox tradition?




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Jul 28 - Holy Apostles Of The Seventy And Deacons Prochorus, Nicanor, Timon And Parmenas




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon, and Parmenas




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Feb 10 - Venerable Father Prochorus Of The Kiev Caves




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon, and Parmenas




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon, and Parmenas




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon and Parmenas




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon and Parmenas




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Holy Apostles of the Seventy and Deacons Prochorus, Nicanor, Timon and Parmenas

They are mentioned by name in Acts 6:5. St Prochorus became Bishop of Nicomedia and reposed in peace. St Nicanor was stoned to death in Jerusalem. St Timon became Bishop of Bostra in Arabia and ended his life in martyrdom by fire at the hands of the pagans. St Parmenas died in peace in Jerusalem.




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Lighting Up the Apocalypse 33: Hallelujah Choruses, the Bride Who Clothes Herself & the Invitation

This week we read Revelation 19:1-10 in the light of Isaiah 61:10, Genesis 3:21, Matthew 16:27, and 1 Peter 5:5, noting that the praises of God are undergirded by substantial reasons, that we are called to cooperate in our salvation, and that we have been blessed in a way that confers unimaginable dignity upon human beings.




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UC Berkeley University Chorus, Dec. 7

Saint Nicolas, BrittenChichester Psalms, BernsteinWei Cheng, conductorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel




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University Gospel Chorus, Nov. 24

Swingin’ the GospelAn evening of gospel featuring jazzy & contemporary renditions of spirituals, hymns, & moreCandace Johnson, director Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE




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Out Chorus Etching Artist Signed

Out Chorus Etching Artist Signed by Romare Bearden is a(n) Limited Edition. The Edition is Limited to Limited Edition of 200 pcs




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Greenock Chorus Cineschool screening

Book now for this free screening for schools in Greenock




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Ken and Robin Talk About Stuff: Chorus Cubed

In the latest episode of their not-distracted-by-the-woman-in-red podcast, Ken and Robin talk meme-filled meta-kibitzing, Montreal Open City, present tense in fantasy fiction, and the RFK-Scooby Doo time ripple.




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With voices joined in chorus, giant otter families create a distinct sound signature

With a non-stop babble of hums, grunts and shrill squeals as they argue over fish and defend their territories, the Amazon’s giant otters are one […]

The post With voices joined in chorus, giant otter families create a distinct sound signature appeared first on Smithsonian Insider.




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This gorgeous cricket chorus sounds like humans singing a haunting song

Insect song, when slowed down dramatically, sounds otherworldly, but also human.




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Spring Chorus: Iowa's Frogs And Toads

While schools are closed, we're creating a series of "Talk of Iowa" episodes that will be fun and educational for learners of all ages. Every Tuesday, we'll learn about Iowa wildlife, and every Thursday, we'll learn about Iowa history.




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GLANERT, D.: Oceane [Opera] (Bengtsson, Schukoff, Pohl, Deutsche Oper Berlin Chorus and Orchestra, Runnicles) (OC985)




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MASCAGNI, P.: Cavalleria rusticana / LEONCAVALLO, R.: Pagliacci [Operas] (Di Toro, Iversen, Graz Opera Chorus, Graz Philharmonic, Lyniv) (OC987)




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WEBER, C.M. von: Freischütz (Der) [Opera] (Cornet, Muirhead, Banješević, Trinsinger, Aalto Theatre Opera Chorus, Essen Philharmonic, Netopil) (OC988)




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BEETHOVEN, L. van: König Stephan / Leonore Prohaska (excerpts) (The Key Ensemble, Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574042)

Aside from his only opera Fidelio, Beethoven’s general link with the theatre in Vienna came about largely with incidental music or songs to be inserted into the works of other composers—insertion arias. König Stephan was written to celebrate the politically significant opening of a new theatre in Pest, its triumphant mood honouring the ruling Austrian Emperor. Standard-bearer of female heroism Leonore Prohaska is commemorated with a Soldier’s Chorus and a Romance with harp accompaniment. In Friedrich von Matthisson’s poem Opferlied (‘Sacrificial Song’), a young man prays to Zeus to bestow upon him beauty and goodness in youth and old age. Two of Beethoven’s four settings are heard on this wide-ranging programme.




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BEETHOVEN, L. van: Ruinen von Athen (Die) (The Ruins of Athens) (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574076)

Die Ruinen von Athen (‘The Ruins of Athens’) was composed to celebrate the opening of the new German theatre in Pest in 1812. Designed to accompany the play of that name by August von Kotzebue, its incidental music is substantial enough to form a kind of one-act Singspiel and is full of attractive arias, duets and choruses and includes the famous Turkish March. Though the work’s theme was rooted in Greek mythology, in reality it was explicitly political in nature, celebrating Pest as ‘the new Athens’. This is the first ever recording of the work with full narration.




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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DANIELPOUR, R.: Passion of Yeshua (The) [Oratorio] (UCLA Chamber Singers, Buffalo Philharmonic Chorus and Orchestra, Falletta) (8.559885-86)

Richard Danielpour’s dramatic oratorio The Passion of Yeshua—a work which has evolved over the last 25 years—is an intensely personal telling of the final hours of Christ on Earth. It incorporates texts from the Hebrew Scriptures and the Christian Gospels inspiring extraordinarily beautiful music that stresses the need for human compassion and forgiveness. Danielpour returns to the scale and majesty of Bach in this oratorio, creating choruses that are intense and powerful, and giving both Mary the mother of Jesus and Mary Magdalene a central place in a work of glowing spirituality. Conductor JoAnn Falletta considers The Passion of Yeshua to be “a classic for all time.”




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BEETHOVEN, L. van: Cantata on the Death of Emperor Joseph II / Cantata on the Accession of Leopold II (Chorus Cathedralis Aboensis, Segerstam) (8.574077)

By the time of Emperor Joseph II’s death in 1790 Beethoven was a member of the court musical establishment in Bonn. To mark the occasion, Beethoven was commissioned to write two cantatas, one to mourn Joseph’s death and the other to celebrate the accession to the throne of Emperor Leopold II. Although Beethoven was only 19 years old at the time, both works show the embryonic marks of his greatness: intense expression and control of structure in one, and an almost operatic panache in the other. Neither piece was performed during Beethoven’s lifetime.




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GOMES, C.: Schiavo (Lo) [Opera] (S. Vassileva, Pisapia, Borghini, Balbo, Terenzi, Cagliari Theatre Chorus and Orchestra, Neschling) (CDS7845.02)




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DONIZETTI, G.: Elisir d'amore (L') [Opera] (Dalla Benetta, R. Hernández, Esposito, Salerno, Bergamo Musica Festival Chorus and Orchestra, De Marchi) (CDS577)




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ROSSINI, G.: Barbiere di Siviglia (Il) [Opera] (Meli, Simone, R. Shaham, Frontali, Furlanetto, Teatro la Fenice Chorus and Orchestra, Fogliani) (CDS597)




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LEONCAVALLO, R.: Pagliacci [Opera] (Sepe, Villari, Cecconi, Fiorentino Maggio Musicale Chorus and Orchestra, Galli) (CDS7863)




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SPONTINI, G.: Fernando Cortez, ou La conquête du Mexique [Opera] (Schmunck, Voulgaridou, Fiorentino Maggio Musicale Chorus and Orchestra, Tingaud) (CDS7868.03)




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BOITO, A.: Mefistofele [Opera] (F. Furlanetto, Filianoti, Theodossiou, Zaramella, Palermo Teatro Massimo Chorus and Orchestra, Ranzani) (CDS581)




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BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




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VERDI, G.: Attila [Opera] (I. D'Arcangelo, Monastyrska, S. La Colla, G. Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Repušić) (900330)




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SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




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MAYR, J.S.: Due duchesse (Le) [Opera] (M. Schäfer, T.M. Herbert, Bavarian State Opera Chorus, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.660422-23)

As one of the leading operatic composers of his generation, Johann Simon Mayr nurtured a fascination with the chivalric stories of medieval England. Le due duchesse, an opera semiseria with buffa elements, is set during the reign of the 10th-century King Edgar. Huntsmen’s and Knights’ choruses and troubadour-like songs give great vivacity to a score that is both lyrical and dramatic. Mayr’s compound of Viennese Classicism and Italianate melodic beauty, allied to his ambitious writing and a skilful libretto, produced an important and influential opera couched in his own unmistakable idiom.




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Rise, My Soul [CD&91; - BYU Women's Chorus

RISE, MY SOUL is the third full length album the BYU Women’s Chorus has recorded under the direction of Jean Applonie. The album features songs that assure and nourish the soul, and affirm faith, hope, and love.


Click "Add to Cart" above to purchase this CD...

Price: $15.99




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Audiogalaxy Returns, Choruss File Sharing Plans Falter

Music sharing pioneer Audiogalaxy returned this week, but not with the features its former users — or its founder — hoped to offer. The former Napster competitor found that, even with music-industry support, a legal file-sharing service is a long way from becoming reality. Continue reading on GigaOm.com.


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Can we handle another disaster in chorus with COVID-19?

For any administration, it is extremely important to remain prepared for various possible eventualities and the likelihood of any country requiring to witness two natural disasters together, just cannot be ruled out.




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Chorus: Rise as One Announced for Xbox Series X, PS5, PS4, Xbox One, And PC

Publisher Deep Silver and developer Fishlabs have announced Chorus: Rise as One for the Xbox Series X, PlayStation 4, PlayStation 4, Xbox One, and Windows PC. It will launch in 2021.

View the announcement trailer below:

Here is an overview of the game:

Take control of Nara, once the Circle’s deadliest warrior, now their most wanted fugitive, on a quest to destroy the dark cult that created her. Unlock devastating weapons and mind-bending abilities in a true evolution of the space-combat shooter. Along with Forsaken, her sentient starfighter, explore ancient temples, engage in exhilarating zero-g combat, and venture beyond our waking reality.

Key Features:

  • Journey of Redemption – Lead Nara, an ace pilot facing her haunted past, and Forsaken, her sentient ship on a quest for redemption across the galaxy.
  • Venture Beyond the Void – Enter a dark new universe, teeming with mystery that balances the scale and spectacle of exploration with fast-paced action.
  • One Pilot, One Ship, One Living Weapon – Attain unique weapons. Unlock deadly abilities. Chain powers together to become the ultimate living weapon.

A life-long and avid gamer, William D'Angelo was first introduced to VGChartz in 2007. After years of supporting the site, he was brought on in 2010 as a junior analyst, working his way up to lead analyst in 2012. He has expanded his involvement in the gaming community by producing content on his own YouTube channel and Twitch channel dedicated to gaming Let's Plays and tutorials. You can contact the author at wdangelo@vgchartz.com or on Twitter @TrunksWD.

Full Article - https://www.vgchartz.com/article/443419/chorus-rise-as-one-announced-for-xbox-series-x-ps5-ps4-xbox-one-and-pc/




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Chorus: Rise as One release confirmed for PS5, Xbox Series X, PS4, Xbox



Chorus: Rise as One is a new space-combat shooter, revealed during Inside Xbox. Here's everything you need to know.




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Starstruck the musical chorus




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Lizzo sheds tears of joy after Beyonce joins chorus of celebrities wishing her happy birthday online

Lizzo was overwhelmed when she realized Beyonce had wished her a happy birthday when she turned 32 on Monday. She screen-capped the birthday wish on Beyonce's website in awe.




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Chorus song of the indri (Indri indri: Primates, Lemuridae): Group differences and analysis of within-group vocal interactions

Chorus song of the indri (Indri indri: Primates, Lemuridae): Group differences and analysis of within-group vocal interactions Baker-Medard, Merrill S. A.; Baker, Myron C.; Logue, David M. The loud chorus songs of the group-living lemur Indri indri are a striking feature of rainforest areas of eastern Madagascar. Despite some research on the conspicuous vocal display of the indri, two hypotheses have not been addressed: do groups differ in the acoustic properties of their songs, and is there evidence of coordinated singing between individuals within groups. We recorded and analyzed the songs of three indri groups to examine these two questions. To answer the first question, we made quantitative spectral measures on songs of the three groups and performed multivariate analyses of the acoustic features of the notes constituting the songs. Our results showed songs of the three groups differed significantly, although there was overlap between groups. To answer the second question, we classified note types and quantified their occurrence as overlapping and abutting pairs. We found non-random associations between sequential note types in all three indri groups. These associations were consistent among groups, suggesting that individuals follow consistent answering rules when contributing to choruses. Whether indris use acoustic group identifiers in management of behavioral strategies and how within-group coordinated note production might function remain unknown. We compare our results to a number of taxonomically diverse species that live in groups and broadcast chorus and duet vocal signals. Open access article. Creative Commons Attribution 4.0 International License (CC BY 4.0) applies.




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In the land of Uz: for SATB chorus, solo tenor and instrumental ensemble / Judith Weir ; text compiled by Judith Weir from The book of Job

STACK SCORE Mu W4335 in




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WFLA Radio with the WFLA Chorus




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University of Tampa women's chorus




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University of Tampa women's chorus




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University of Tampa Men's Chorus




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Miss Florence Stumpf leads a chorus at the Municipal Auditorium