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Arts Chorale (November 14, 2024 8:00pm)

Event Begins: Thursday, November 14, 2024 8:00pm
Location: Walgreen Drama Center
Organized By: School of Music, Theatre & Dance


PROGRAM

Sydney Guillaume, *Karnaval*
Florence Price, *Poem of Praise*
Stephen Paulus, *Pilgrim's Hymn*
Eleanor Daley, *Upon your Heart*
Rosephanye Powell, *The Word was God*
William Dawson, *Soon ah Will be Done*
Aaron Copland, *Zion's Walls*
Stephen Chatman, *Remember*
arr. Arnold Sevier, *Precious Lord*
Healey Willan, *Rise Up my Love my Fair One*
Daniel Pinkham, *Wedding Cantata*
Aaron Copland, *The Promise of Living*

The Arts Chorale is the official choir of the College of Literature, Science, and the Arts. It provides a fun and enriching environment for students who enjoy singing. A mixed choir that is open to any U-M student, the Arts Chorale is a musical and social group that has existed at the University for over 60 years. Although affiliated with SMTD, most members are not music majors.




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Pre-Concert Lecture: Arts Chorale (November 14, 2024 7:15pm)

Event Begins: Thursday, November 14, 2024 7:15pm
Location: Walgreen Drama Center
Organized By: School of Music, Theatre & Dance


DMA candidate Sydney Mukasa, conductor of the Arts Chorale, presents a pre-concert talk. This lecture begins at 7:15 pm before the 8:00 pm Arts Chorale performance.




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God is With Us - The St. Romanos Chorale

Fr Joseph Huneycutt welcomes you to St Joseph Orthodox Church, Houston, Texas for this Special AFR Christmas presentation: “God is With Us” by the St Romanos Chorale under the direction of Dr William Attra. The St Romanos Chorale takes its name from the Syrian religious poet and hymnographer of the Eastern Orthodox Christian Church, St. Romanos, who is considered to be the greatest of the Byzantine melodist-poets. The Chorale is composed of singers from Orthodox Christian churches in the greater Houston area. The music is sung a cappella in both Byzantine and Slavonic styles, predominantly in English, but also in Greek, Arabic, and Slavonic. The Chorale has presented beautiful Orthodox Christian music to audiences throughout Texas and neighboring states at venues including major colleges and universities. The special Christmas performance you are about to hear was recorded on December 10, 2011, at St Joseph Antiochian Orthodox Church, Houston, Texas.




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Master Class and Choral Workshop with Vladimir Gorbik

Bobby Maddex interviews Dr. Vladimir Morosan, the founder and president of Musica Russica, about an unprecedented Master Class and Choral Workshop that will be led by Vladimir Gorbik at St. Vladimir's Seminary from June 25 through 29, 2012.




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Stabat Mater: Choral Music of Arvo Part

Bobby Maddex interviews Dr. James Jordan and Sr. Christine Helfrich of Gloriae Dei Cantores, the choir that just recently released a new collection of compositions by the acclaimed Arvo Pärt called Stabat Mater: Choral Music of Arvo Pärt .




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4 Best Choral Warm Up Resources

If you are like most choir directors one of the things you do everyday and even multiple times a day if you teach multiple classes is Warm-ups. Here are the best 4 warm up resources that I have found.


      1. The Complete Choral Warm-Up Book By Robinson, Russell/ Althouse, Jay 



This is a great book full of lots of different warm up exercises. Great resource when you are tired of doing the same old Warm-Up all day every day. Pick one and change it up.

     2. Pop Warm-Ups and Work-Outs for Guys



Unchanged, changing or changed male singers in middle school and high school may need a little extra help in "finding" their singing voices. Roger Emerson has developed a series of warm-ups that use excerpts from classic rock and roll tunes that will provide the motivation and repetition they need to do just that. Each song features limited ranges; the pattern starts in a moderate range and gradually ascends into the tenor range and descends through the bass range as needed. The professionally-produced CD recording presents each exercise with vocals so your guys have a model to emulate. Exercises are based on the following songs: The Addams Family Theme; Theme from "Jaws;" Jump, Jive an' Wail; Land of a Thousand Dances; Mission: Impossible Theme; Na Na Hey Hey, Kiss Him Goodbye; Shake, Rattle and Roll; Smoke on the Water; We Will Rock You.

3. Evoking Sound Choral Warm-up Method, Procedures, Planning And Core Vocal Exercises


This book is more than just good choral warm-ups it is a text book on how to use Choral Warm-Ups to truly make your choir better. I am a big fan of James Jordan and this book is what got me hooked.


Probably my favorite resource of all is the Video Camera feature on my iphone. I am that guy at Regionals or All-State standing at the back of the room recording the clinician. Especially during warm ups. I found early on that I would learn lots of great things from watching other directors but would forget most by the time I got back to my class room. That's where my camera on my phone came in and has saved me. Now I have those resources to reference. 




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Favorite Choral Conductor Phrases

Yesterday on the American Choral Directors Facebook Group someone made a post asking for our Favorite Choral Director phrases. In just over a day it had close to 200 comments. 


While they were all great I decided to compile a list of some of my favorites. (It turned into a pretty long favorites list.)


  • Approach the note from above.
  • Singing is an athletic event.
  • Drink in the breath.
  • Listen louder than you sing.
  • Let the breathe fuel the sound.
  • Stop talking.
  • Smile with your eyes
  • Sing through it, not to it.
  • What are you singing? To whom are you speaking? What are you trying to say?
  • 80% of life is showing up. The rest is what you do after.
  • Gird up your loins!
  • Pitch is not optional or approximate!
  • Stand from the waist up.
  • Pull the taffy!
  • What are you singing ABOUT?
  • One more time...
  • Make mistakes. Make them boldly. Make them once.
  • Lay a big fat green egg, because I cannot fix "nothing."
  • Have a love affair with the center of pitch.
  • Too much, too soon, too bad. (About a crescendo)
  • Once a mistake, twice a habit!
  • Don't make it more accidental than it already is.
  • The higher you go, the brighter. The lower you go, the brighter.
  • No one can smile and sing except Miss America...and she only learned one song.
  • Bend your knees.
  • Long vowels!!
  • Put more space in your face!
  • No one note is the same as the other.
  • Everything we do, we do together.
  • Never sing louder than beautiful.
  • Look up here!
  • Do not take steps backwards!!
  • I own your eyes.
  • Pretend there's a string being pulled out of the top of your head.
  • What does [accel./rit./fermata/etc.] mean?" After various mumbled responses with the actual definition, "No, it means to look at me!"
  • There's a reason God gave us two ears and only one mouth.
  • The arch of the eyebrow governs the shape of the tone.
  • Honor the rests, please.
  • Look up and live.
  • Miss a note. Get a rhythm.
  • Enjoy the process not the product.
  • Ok we're going to go from the top to the end. I promise I'm not going to stop.
  • All music must dance.
  • Watch!!!!
  • Better to be confidently wrong than wimpily right.
  • One more time.
  • Let your head rule your heart and your heart rule your head.
  • Never louder than lovely.
  • They who cannot spread light, are content to generate heat instead.
  • It's a SONG, so SING it.
  • Sing through your eyes.
  • Good is the enemy of excellent.
  • Fish lip and rabbit teeth.
  • We want bel canto, not can belto.
  • I coach choir.
  • I'm tired of that mistake, make another one.
  • Do we sound like one?
  • Do as I meant, not what I said.
  • Early is on time, on time is late, and late is unacceptable.
  • Look #, don't b flat, and act natural.
  • Make it interesting!
  • The eyebrows matter - it's hard to look interested and sound dull and equally hard to look uninterested and sound engaged.
  • Look up and live!
  • Sing as if you were fatter stand as if you were taller.
  • Strong and wrong is better than feeble and right.
  • North-south vowels rather than east-west vowels.
  • One more time...
  • If the basses are bad, the choir is bad.
  • Sing on air.
  • Sing from your toenails.
  • “What's your favorite piece?" Students: "The one in our hand!"
  • Men - sing like football players in tuxedoes.
  • Vertical vowels, please.
  • Breathe in the shape of the vowel.
  • Sit tall.
  • Don't 'sing the voice - - sing the phrase.
  • Don't land hard on the last note of the phrase just because you've got extra air to spend.
  • English is a second language for conductors - Sarcasm is first.
  • That vowel sounded like a cat being pulled through a keyhole - backwards.
  • That sounded like a long-tailed cat in a room full of rocking chairs!
  • “How do you Spell Monodynamoc?" (Choir starts to spell) -interrupting- "Wrong! It's B.O.A.R.I.N.G!"
  • Vomit out the air.
  • Breathe as if you have 20 noses around your waist.
  • Don't let the consonants contaminate your vowels.
  • This is a Chor"us" not a chor"me"!
  • Use your "Disney eyes"
  • Sometimes it's more beautiful when you DON'T sing! (Rests)


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Music Interview: Fairfield County Chorale Throws A Birthday Bash for Beethoven

For their celebration of Beethoven's 250th birthday this year, the Fairfield County Chorale is performing one of his most famous works, the Emperor Piano Concerto with soloist Ilya Yakushev, and one of Beethoven's least known sacred works on Saturday, March 7 at the Norwalk Concert Hall. Kate Remington talks with Artistic Director David Rosenmeyer about what makes each of these two works so special.




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MATHIAS, W.: Choral Music - A May Magnificat / Learsongs / Riddles (St. John's Voices, The Gentlemen of St. John's, G. Walker) (8.574162)

William Mathias wrote some of the most imaginative, communicative and joyful choral music of the mid-to late 20th century. These qualities are perhaps most clearly represented in his substantial catalogue of works for choir and, in particular, his settings of sacred texts, notably the invigorating A Babe is Born and the hauntingly beautiful Ave verum corpus, one of his last compositions. This selection also includes the both serious and entertaining sequence of Riddles and the rapt, ecstatic A May Magnificat. More Mathias choral music can be heard on 8.573523.




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EŠENVALDS, Ē.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)

The multi-award-winning Latvian composer Ēriks Ešenvalds’ 21st-century choral sound is both exquisite and angular, and in this album he explores ideas of ‘translation’, legend and the divine. With his expanded tonality and employment of shimmering singing handbells in Translation, and the angelic use of the viola and cello in In paradisum he creates music of ravishing refinement. In Legend of the Walled-In Woman Ešenvalds transcribes and employs an authentic Albanian folk song.




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Podcast: The resurrection of a requiem. Randall Thompson’s choral masterpiece. (Apr 10, 2020)

THOMPSON, R.: Requiem Philadelphia Singers, David Hayes 8.559789 Join Raymond Bisha in a podcast of artistic discovery as he unveils yet another American classic—Randall Thompson’s Requiem. Reckoned by many to be his most ambitious work, the composer himself considered it to be his masterpiece, yet it has languished for decades on the periphery of the choral performance repertoire. This world première recording fr ...more




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EŠENVALDS, E.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)


Review by Malcolm Riley
Gramophone, May 2020




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FRANCK, C.: Djinn (Les) / Symphonic Variations / Prélude, choral et fugue / Prélude, aria et final(Biret Concerto Edition, Vol. 9) (8.571403)




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Choral Concert: Polski Narodowy Chór Młodzieżowy - FARCINKIEWICZ, Ł. / RACZYŃSKI, M. / FALKOWSKA, Z. / ZIÓŁKOWSKI, M. (Śpiewajmy!) (CDAccordACD262)




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MONIUSZKO, S.: Choral Music (inaczej śpiewany) (Choirs of the Choral Academy Project - Singing Poland, NFM Leopoldinum Orchestra, Frankow-Zelazny) (CDAccordACD265)




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TCHAIKOVSKY, P.I.: Sacred Choral Works - Vesper Service / Hymn in honour of SS Cyril and Methodius (Latvian Radio Choir, Kļava) (ODE1352-2)




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Choralfest hits right note with The Idea of North while NORPA unveils 2013 season

The Idea of North




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Couch Choir bringing choralists together in lockdown

The Couch Choir is a digital initiative that's grown out of the Brisbane-based Pub Choir, which has cancelled all it's events because of the COVID-19 restrictions.




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Secular choral music / Gregory Hutter

MEDIA PhonCD H977 chomu




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"We, like Salangan swallows...": a choral gallery of Morton Feldman and contemporaries / the Astra Choir ; John McCaughey, director

MEDIA PhonCD As89 we




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Halleluja! Gott zu loben, bleibe meine Seelenfreud'!: Choralphantasie op. 52 Nr. 3 / Max Reger ; herausgegeben von = edited by Alexander Becker, Christopher Grafschmidt, Stefan König und Stefanie Steiner-Grage ; Editionsleitung = Editorial direct

STACK SCORE Mu pts R262 pha52 hal




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Choral music education




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The Lithuanian Choral Tradition




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The Lithuanian Choral Tradition




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Andrea Pidoto - Chorals (book 1)

Organ sheet music by Andrea Pidoto | Chorals (book 1) (1: Schatz über alle schätze; 2: Dir, dir, Herr, will ich singen; 3: Jesus, meine zuversicht; 4: Wachet auf, ruft uns die Stimme; 5: Von Gott will ich nicht lassen; 6: Wer nur den lieben Gott läßt walten)

Reference: BE01613
Title: Chorals (book 1)
Contents: 1: Schatz über alle schätze; 2: Dir, dir, Herr, will ich singen; 3: Jesus, meine zuversicht; 4: Wachet auf, ruft uns die Stimme; 5: Von Gott will ich nicht lassen; 6: Wer nur den lieben Gott läßt walten
Composer: Andrea Pidoto
Instrument: Organ solo
Price: €12.49
Pages: 16
Format: Portrait - 9” x 12” paper-back
Publication Date: 07-May-2020
Edition: New
Editor: W. B. Henshaw
EAN/ISMN: 979-0-2067-1613-3