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In this long-delayed episode (due to work on The Age of Nihilism, available at store.ancientfaith.com/the-age-of-nihilism-christendom-from-the-great-war-to-the-culture-wars), Father John presents the historical origins of liberalism as a modern secular ideology. Atheistic philosophers like Auguste Comte and John Stuart Mill provided the philosophical basis for hope in a secular "kingdom of posterity."

Fr. John Strickland continues his account of the rise of secular ideology with a presentation on the Russian intelligentsia and the case of Karl Marx.

Fr. John Strickland concludes his account of the origins of modern political ideology with the rise of nationalism, a force that not only proved to be a counterfeit to traditional Christianity, but the cause of one of utopian Christendom's greatest tragedies.

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Neal Ford chats with Kim Carter about the required skills of a Software Architect, creating and maintain them, transition roles. The importance of history, developing soft skills, and dealing with losing technical skills.

Room 29, Parliament Buildings

Authors Archie Reed and Stephen G. Bennett discuss their book, "Silver Clouds and Dark Linings: A Concise Guide to Cloud Computing."

https://www.cnbc.com/2024/11/06/trumps-election-victory-sparks-dismay-among-climate-community.html By Sam Meredith – CNBC Donald Trump’s election victory on Wednesday sparked a palpable sense of dismay among the climate community. The 78-year-old, who has called the climate crisis “one of the great scams”, has pledged to ramp-up fossil fuel production, pare back outgoing President Joe Biden’s emissions-limiting regulations and pull the country out […]

Jessica Harris visits the Midlands Arts Centre for a Christmas treat.

During the early reign of King Charles III (Charles the Simple) in West Francia, the area was besieged by Viking invasions, while the memory of the previous and frequent Saracen incursions was still fresh in the minds of the general populace. The Saracens were Muslim - mostly Berbers from Africa – and had only let up on the Franks because they’d been pushed back by the Vikings. The local nobles were left largely to fend the Vikings off on their own.

In Paladins of the West Kingdom, players assume the role of these unnamed nobles (most likely Dukes), working to keep the region safe and spread their faith (historically: Christianity).  I really enjoy this theme, and in fact, playing the game nurtured my interest in the historical kingdom of West Francia.  That’s why I can tell you that while the rulebook notes that the King lends his Paladins to the nobles to aid them in their quest, I’m giving all the credit for the loan to the designers, Shem Phillips and S J MacDonald.  Paladins are a fictional group of knights in French lore (think of them as similar to the Knights of the Round Table in British lore),  or alternatively, a translation of the Frankish royal title of Palatine Count, which was a noble that focused mostly on judicial and governing matters and was not known as a knight.

I’ve won a few and lost a few games of Paladins. It’s a worker placement game that incorporates card drafting.  At the beginning of every round, players draw the next three Paladin cards in their deck and choose one to play for the round, one to put back on top of their Paladin deck to draw during the next round, and one to put at the bottom of their Paladin deck. Each Paladin boosts faith, influence, or strength (usually more than one of these), and also provides a special benefit. If you’ve got players prone to analysis paralysis, this is where they may get stalled, especially in the first few rounds. After Paladins are selected and put into play, workers for the round are selected by each player and put into their personal resource supply. You have many stations on your player board to place your workers during the round,  and when you do so, your moves are independent and walled off from your opponents (they cannot tamper with your player board or placement of your workers on it). However, there is one area on the general board (the King’s Favour card area) where you can also place your workers and those spots are competitive. Also contributing to player interaction – some of the stations on your player board where you place workers allow you to move resources (monks and outposts) from your player board to the main board, consuming a competitive spot that provides a placement reward. And all the resource cards on display around the main board – the townsfolk you can hire, the walls you can build, the outsiders you can attack or convert, the tavern cards you draw workers from, and the suspicion cards you gain $$$ from, are all lucrative items for which players must compete. So we’ve got a good mix of independent action and player interaction in Paladins.  There are not a lot of opportunities for  “take that” behavior in this game, other than perhaps timing your draw of suspicion cards to trigger an inquisition when you know your opponents will suffer a penalty and be forced to take on more debt.

Giving the game more intellectual weight, worker placement on your board and the actions workers trigger often have additional requirements beyond number and types (i.e., colors) of workers. The actions triggered by worker placement may be constrained by your strength, faith, or influence level. And some spots or actions triggered by placing workers in those spots require money or provisions. All of these prerequisites can be gained as rewards from prior actions triggered by various worker placement, so much of the game is finding the most efficient ways to obtain prerequisites associated with the series of actions you’d like to take as the game progresses. I worried this decision making would be a weak point for analysis paralysis (I’m a pretty good candidate for testing potential AP, as I’m prone to it) and while there can be a bit of that during the game, nothing excessive was logged during our plays.  

The artists (Shem Phillips on graphic design and Mihajlo Dimitrievski on illustrations) have printed helpful indicators next to each placement location on boards and cards to identify any prerequisites as well as rewards. It’s an example of how the designers have worked with the artists to layer meaningful game information into the layers of artwork. In fact, all of the symbols implemented across the game components are really quite helpful. Bonus: once you familiarize yourself with them in one of the West Kingdom games, you’ll have learned them for the entire series as the artists reuse the same symbols in all three titles.

Beyond the iconography, the illustrations and other artwork are lovely. As with the iconography, the same style of artwork is implemented across the entire series and it carries the theme well. There was a good mix of cisgender representation, but not a lot of racial diversity, especially as would be suggested by the historical setting of the game (for example, Berbers in the area had skin tones ranging from light to to dark brown).

The components for Paladins of the West Kingdom are well made.

There are wooden meeples, an assortment of foldable boards constructed from cardboard, and various plastic coated card decks. We found the rulebook to be clear and direct, and there weren’t any items we had to look up online. It would have been nice if the designers included a player aid in the components, but I was able to compensate for the oversight by downloading a detailed player aid another user uploaded to the forums on BoardGameGeek.com.

Paladins of the West Kingdom is my favorite game of the West Kingdom series. All of the worker types and available actions make sense within the context of the theme, the mechanisms (worker placement, card drafting) integrate tightly with the scoring system to provide opportunities for building a victory point engine, and the game is complex and interesting yet still accessible for new players. The game is also a great value at its price point (approx $50) given you’ll get dozens of multiplayer games in before even a hint of same-o same-o creeps in. Many games with comparable replayability and complexity are double the price of Paladins. There’s also a solo play mode, which provides an additional way to explore the game.

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Publisher: Renegade Game Studios
Players: 1-4 (We played with 2)
Actual Playing Time (vs the guideline on the box): About 2 hours per game
Game type: card drafting, worker placement
Retail Price: $50

Rating:

Jenni’s rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

Generative AI (GenAI) is here to stay – there’s no question about it. A recent SAS survey of 1,600 organizations found that 54% have begun implementing It, and 86% plan to invest in it within the next financial year. As organizations integrate AI into their workflows, a critical question arises: [...]

From business users to system architects: How generative AI will change the way you work was published on SAS Voices by Stu Sztukowski

From Kyoto’s blend of old and new to Vienna’s rich design contrasts, here are some awe-inspiring destinations for you to visit

Ease of Doing Business for MSMEs: Retailers, architects, town planners have suggested Nitin Gadkari to allow malls resume operations, e-commerce operations for non-essential items, relief in rentals for retailers, extend moratorium period to nine months and more.

Company: Confidential
Qualification: Bachelor of Architecture (B.Arch), 12th Class (XII), Masters of Architecture (M.Arch)
Experience: 3 to 8
location: Canada
Ref: 24369288
Summary: Work experience with a minimum of 3 years of experience in Private practice or working as a Architects.

A bird’s nest is a small bowl-shaped collection of twigs and straw built on a tree branch. Right? Well…maybe. As Chris Milensky, museum specialist in […]

The post Bird nests: Variety is Key for the world’s avian Architects appeared first on Smithsonian Insider.

The Brock Environmental Center's 'regenerative' design is key to its AIA recognition — it generates 80 percent more energy than it uses.

Follow ISA Cybersecurity Inc. on Social Media for a Chance to Win a Pair of 2019 Toronto Maple Leafs Tickets

Design teams shift their focus and volunteer for a USC-led 3D-printing campaign to create masks and other PPE in short supply for medical personnel.

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The availability and quality of fresh water to sustain a radically urbanizing world is unquestionably a core issue of our time and requires holistic environmental thinking at an unprecedented scale

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[New York, NY] : Apress, [2019]

Barker Library - TC1665.S765 2015

Barker Library - VM149.D36 2015

London ; New York : Routledge, 2007