Tiger Shroff has been in the industry since just six years but he has already become a force to reckon with thanks to his stylised and risky action stunts and a cool style. His fans have particularly loved him in the BAAGHI franchise. The first part, released in 2016, was a runaway success from day 1. BAAGHI 2 [2018] was an even bigger success, embarking upon a terrific opening [Rs. 25.10 crore] and lifetime total [Rs. 164.38 crore]. Hence, the expectations are tremendous from BAAGHI 3 where the action and scale has gone many notches higher. Interestingly, this time, Tiger’s character Ronnie is all set to battle an entire country! So does BAAGHI 3 manage to entertain and give the audiences a gala time? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1081397" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/03/Movie-Review-Baaghi-3.jpg" alt="" width="720" height="450" /> BAAGHI 3 is the story of a man against a terrorist organization. Ronnie (Tiger Shroff) is the younger brother of Vikram (Riteish Deshmukh). Their father was a cop, Charan Chaturvedi (Jackie Shroff), who had died when both were young. Charan knew that Ronnie is braver out of the two and hence he made Ronnie promise that he'll take care of Vikram. When they grow up, Vikram joins the police force at Lohamandi Police Station, Agra. On his first day of joining, a goon named Bajwa sets a person on fire inside Lohamandi Police Station premises. Bajwa's senior IPL (Jaideep Ahlawat) comes to the rescue and the cops don't press any charges. This is because IPL is a feared criminal by locals as well as the police. IPL's main business is into kidnapping the entire families but he never asks for ransom. This has always baffled the cops. What the police doesn't know is that IPL works for Abu Jalal Gaza, the leader of Jaish-E-Lashkar, the biggest terrorist organisation of the world. They operate out of Syria and have almost taken over the country. Back in Agra, the Lohamandi Police Station gets a kidnapping complaint. Knowing that it's committed by IPL, they fear taking action. Hence, they decide to send Vikram as scapegoat. Vikram is terrified and he asks Ronnie for help. Ronnie accompanies Vikram at IPL's factory, where the kidnapped people are held. Ronnie bashes up IPL's goons by shutting off the lights. Everyone assumes that Vikram is the one responsible for beating them and for rescuing the hostages. He becomes an overnight hero. Vikram meanwhile gets married to Ruchi (Ankita Lokhande). Her sister is Siya (Shraddha Kapoor) and she starts dating Ronnie. Life is going good until the Ministry Of External Affairs sends Vikram to Syria. He's given the responsibility of getting IPL arrested and facilitate his extradition process. It seems like a fairly easy task. Vikram reaches there and this is when he gets abducted by Abu's men. With no other option, Ronnie now decides to go to Syria to rescue Ronnie. What happens next forms the rest of the film. BAAGHI 3 is partly inspired from the 2012 Tamil hit film, VETTAI. Sajid Nadiadwala's story adaptation is entertaining but stands on a weak plot. Farhad Samji's screenplay (additional screenplay by Sparsh Khetarpal, Tasha Bhambra, Madhur Sharma) is only effective in the first half. There's also a bit of novelty in terms of action and situations and that keeps the interest going. Farhad Samji's dialogues are very entertaining and witty. Ahmed Khan's direction is average. He handles the scale and grandeur with panache. BAAGHI 2 focused more on nationalism but that isn't the case here. There’s also a nice comment made on India-Pakistan brotherhood instead. Khan keeps the pace in control to ensure the film never drags. His direction is passable in the first half but in the second half, he slips. The biggest problem is that it doesn't seem like Ronnie is against a country. Also, it wasn't really a country that he is against. It is a township at best which the makers want audiences to believe is a 'country'. BAAGHI 3 begins on a bit awkward note. To show a kid Ronnie bashing up older kids violently, in a heroic style, doesn't seem convincing. However, Chaturvedi's death scene makes for a nice emotional moment. The entry of Siya is hilarious while that of adult Ronnie is too good and would be lapped up by fans. The scenes of Abu Jalal Gaza seem superficial but thankfully, the focus in the first half is on madness happening in Agra. And this makes for an entertaining watch especially how Ronnie is doing the bashing while Vikram taking the credit. The humour quotient is also nicely maintained. The scene where IPL's men abduct Ronnie and the way the latter pretends to be scared is hilarious. And then there's also an emotionally fulfilling scene involving Vikram and Tripathi (Virendra Saxena). The intermission point is when Vikram is taken away. One expects the film to go many notches higher especially with Ronnie reaches Syria. The introduction of Akhtar Lahori (Vijay Varma) also adds to the film. But from here, things get quite unconvincing especially the way Ronnie easily defeats the whole army of Abu Jalal. Zaidi seems tough but gets eliminated so easily and also foolishly. The climax has a twist that might be enjoyed by viewers. <span style="text-decoration: underline;"><strong>Baaghi 3 | Public Review | Tiger Shroff | Shraddha Kapoor | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/baaghi-3-public-review-tiger-shroff-shraddha-kapoor-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Talking of performances, BAAGHI 3 rests on the tough shoulders of Tiger Shroff and he pulls it off like a pro, as expected. The same also goes for his comic timing. And of course, his action is simply out of the world and in that regards, his fans will surely get their money’s worth. Shraddha Kapoor looks gorgeous and gives a decent performance. She goes a bit overboard in a scene or two but overall, she seems convincing as a foul-mouthed person. However, her screen time is very limited. Also, she plays an aggressive character and ideally, she should have been given a chance to indulge in action. Riteish Deshmukh plays his part well and also adds to the fun and madness. He would be loved in the climax. Interestingly, he did a similar role in his Marathi production MAULI [2018] as well which was also a partial remake of VETTAI. Ankita Lokhande gets limited scope but has a fine screen presence. Vijay Varma is highly entertaining. Jaideep Ahlawat suits the part and has a crucial role in the pre-climax. Jameel Khoury is okay as the villain but could have been more menacing. Shifuji Shaurya Bharadwaj (Mishra) is wasted. Virendra Saxena is dependable as always. Satish Kaushik (Commissioner Chatora) and Farhad Samji (Man in toilet) raise laughs. Manav Gohil (Asif), Shriswara (Hafeeza), Danish Bhat (Bilal), Ivan Kostadinov (Abu’s henchman), Sunit Morarjee (Sharad Kute), Amit Sharma (Bajwa) and Karan Singh (Zaidi) are fair. Jackie Shroff’s cameo contributes well to the film. Disha Patani is sizzling. The music of BAAGHI 3 is decent. <em>'Dus Bahane 2.0'</em> is a great remix and is played in the end credits. <em>'Bhankas'</em> is well picturised. <em>'Do You Love Me'</em> is passable; the situation demanded a fast-paced dance song. <em>'Get Ready To Fight - Reloaded'</em> is played during action scenes. <em>'Tere Jaisa Yaar Kahaan'</em> doesn’t work. Julius Packiam's background score however elevates impact. Santhana Krishnan Ravichandran's cinematography is stunning not just in capturing Syria but also the action scenes.  Ahmed Khan's action design and Ram Chella, Laxman Chella, Kecha Khamphakdee's action choreography is splendid and keeps viewers engaged. The action gets a bit gory but a limit is maintained and visually looks great. Manini Mishra's production design is topnotch. One can see that a lot of money has been spent in ensuring that the film looks like a top-class product. Aki Narula, Karishma Gulati and Ashish Sharma's costumes (with styling by Tanya Ghavri) is appealing. Redefine, NY VFXWaala, Resonance Digital and Red Chillies.VFX's VFX is more or less fine. Rameshwar S Bhagat's editing is slick but in some places, it is needlessly jerky. On the whole, BAAGHI 3 has a terrific combination of Tiger Shroff’s powerful performance, superlative action and stunning visuals. At the box office, it will surely appeal to its target audience - the Tiger Shroff fans and the audience in smaller town and cities who relish action entertainers.

Education-based films might not seem like profitable ventures but over the past few years, several such films have tasted enormous success like SUPER 30 [2019], CHHICHHORE [2019] and HICHKI [2018]. And the film that started this trend in recent times was HINDI MEDIUM [2017]. The film was a runaway success thanks to its message, realism, humour and performances. And now producer Dinesh Vijan is back with a second part of this franchise, titled ANGREZI MEDIUM. The film has been awaited keenly mainly because it’s a comeback of sorts for Irrfan Khan, after he was diagnosed with a neuroendocrine tumour. So does ANGREZI MEDIUM manage to entertain and impress as much as HINDI MEDIUM? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1082858" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/03/Angrezi-Medium-Review-1.jpg" alt="" width="720" height="450" /> ANGREZI MEDIUM is the story of unconditional love between a father and daughter. Champak (Irrfan Khan) is a single parent of Tarika (Radhika Madan) and is based in Udaipur. His brother is Gopi (Deepak Dobriyal) and though both have lot of love for each other, they are also involved in a legal tussle. Both run a shop named Ghasiteram Sweets and both claim to be the original shop running since generations. The matter reaches court where Justice Chheda (Zakir Hussain) gives a verdict in favour of Gopi. In a drunken state, Gopi later reveals that he bribed the judge which is why he won the case. Gajju (Kiku Sharda), a friend of the brothers, records this statement. Tarika, meanwhile, is an average student and wishes to win the scholarship offered by her school that will take her to London. She works quite hard and manages to get 85% and it makes her eligible for UK scholarship. A felicitation ceremony is held for this occasion. The chief guest here is none other than Justice Chheda. Champak, in anger, informs the crowd of the nefarious activities of Chheda, not realising that Chheda is the husband of the Principal of the school (Meghna Malik). The Principal, in anger, cancels Tarika's scholarship. Champak promises Tarika that come what may, he’ll get her admission done, that too in the college of her choice in London. Sadly, Tarika fails to get the admission from other quotas. Gopi suggests Champak that they contact Bablu (Ranvir Shorey), their childhood friend who is settled in London. Bablu comes to Udaipur on a plane ticket sponsored by Champak. He tells Champak that he can help him get British citizenship after which Tarika can get admission easily. Champak, Gopi and Tarika reach London airport. Here, Champak and Gopi are mistaken for drug dealers. They are deported back to India while Tarika is stranded in London. What happens next forms the rest of the film. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's story sounds interesting on paper. Their screenplay, however, doesn’t live up to the expectations. While the writers get the father-daughter bond right, the other tracks aren’t convincing and arguably, not even necessary. Bhavesh Mandalia, Gaurav Shukla, Vinay Chhawall and Sara Bodinar's dialogues are decent and a few one-liners are witty. Homi Adajania's direction is decent. He gets brownie points for the scenes involving Champak and Gopi as these scenes and their performances elevate the impact. Also the scenes of Champak and Tarika at some places will be loved. The Indian audiences, especially the middle aged and senior citizens, would connect with the message of children often leaving them after turning adults. On the flipside, the film has too many subplots that are difficult to digest. Audiences will find it strange that Champak and Gopi are business rivals and even fighting it out in the court. But at the same time, they even drink and hang out together like best of buddies. Not just that, Gopi doesn’t even mind when Champak leaks his video where the latter brags that he bribed the judge! The manner in which Champak and Gopi get deported over a misunderstanding seems stupid. Tarika, meanwhile, gets settled in London and finds a job and house, even before her admission is done. She doesn’t ask Champak even once how they’ll manage to procure funds. Also the track of Naina and her mother Mrs. Kohli (Dimple Kapadia) seem totally unwanted. Audiences never come to know why they are at loggerheads. ANGREZI MEDIUM starts on an average note, depicting the life of Champak and Tarika, and also the feud between Champak and Gopi. The latter part seems bewildering though as their love-hate relationship. A few scenes here stand out like a drunken Tarika accusing Champak of being intoxicated, the madness at the court and at the school ceremony. The father-daughter bond touches viewers. The intermission point is unconvincing. Post-interval, the film drops at places thanks to too many confusing developments and too many subplots. Thankfully, a few genuinely novel moments stand out here like Tarika turning her T-shirt into a crop top to fit in among her new London friends, Gopi tying Champak to his bed and Champak and Gopi rescuing Mrs. Kohli and later singing Happy Birthday song for her. Also the finale might leave viewers teary eyed. <span style="text-decoration: underline;"><strong>Angrezi Medium | Public Review | Irrfan Khan, Kareena Kapoor Khan, Radhika Madan | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/angrezi-medium-public-review-irrfan-khan-kareena-kapoor-khan-radhika-madan-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Talking of performances, Irrfan Khan delivers a top-notch performance. He seems completely in form and ensures that he makes audiences laugh and moist eyed. Deepak Dobriyal too is superb and his chemistry with Irrfan saves the film to a huge extent. Radhika Madan has a fine screen presence and gives a fine performance. Her dialogue delivery, however, is difficult to comprehend at few places. Kareena Kapoor Khan looks great but is underutilised and same goes for Dimple Kapadia. Ranvir Shorey gets some scope in the second half and excels. Pankaj Tripathi (Tony) tries too hard but manages to raise laughs. Kiku Sharda is dependable. Zakir Hussain, Meghna Malik, Manu Rishi (Bheluram), Ankit Bisht (Anmol) and Manish Gandhi (Advait) are fine. Tillotama Shome (Counsellor) leaves a mark and deserved more screen time. Sachin-Jigar's music is disappointing. <em>'Ek</em> <em>Zindagi'</em> works well as per the situation. The rest of the songs are forgettable. Sachin-Jigar's background score is however quite better. Anil Mehta's cinematography is appropriate. Smriti Chauhan's costumes are real and the transformation of Radhika once she moves to London is effective. Bindiya Chhabria's production design is quite good. A Sreekar Prasad's editing is nothing great and suffers because of loopholes in the script. On the whole, ANGREZI MEDIUM works only because of Irrfan Khan and Deepak Dobriyal's chemistry and also due to some touching moments. At the box office, HINDI MEDIUM’s goodwill and Irrfan's comeback will ensure decent footfalls for the movie over the weekend.

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