Is there anything Kareena Kapoor Khan can't do? She's a talented actor, a style icon, an amazing mum to little Taimur, and just about everything else that makes her uniquely Bebo. She may have joined the Instagram party late, but by now we know that Bebo is the life of any party she joins, even if she does so fashionably late!

Here are five instances on Instagram when Kareena Kapoor showcased her tremendous wit and humour!

When Bebo as a baby shared a gem about social distancing

First of all, how utterly adorable is this photo of a tiny little Kareena Kapoor? She used this throwback photo to talk about social distancing and show us how important it is in the deadly times of corona. Bebo captioned this image, "Me... when someone tries to shake my hand these days!
#StayHome #StaySafe #SocialDistancing"

When she modelled a pasta necklace made by Tim

Even a necklace made from pasta looks good on Bebo, proving that the Good Newwz actor can wear anything and look like a million bucks. This necklace was made by her dear little boy Taimur, and Kareena wrote alongside this picture, "Pasta la vista. Handmade Jewellery by Taimur Ali Khan #QuaranTimDiaries" #QuaranTimDiaries... now isn't that creative?

When Kareena stared in shock at the zit on her face

Yes, Bebo also falls victim to unwarranted and unwanted zits sometimes. But does she fret? No, the queen never frets! Instead, she makes fun of it by writing, "Meanwhile... I just sat there staring in wonder of what was being created. PS: The zit on my face didn't get the memo of no personal visits and social distancing... #HugeMess"

When she wished Aamir Khan in the funniest way

Kareena Kapoor Khan also found the best way to wish her Laal Singh Chaddha co-star, Aamir Khan, a happy birthday. Sharing a photo of a snoozing and pillow-cuddling Aamir, she wrote, "My fav co-star has to be @_aamirkhan's... pillow!" 

When she wanted to fall in love... or was it fall asleep?

Like us, Kareena, too, is bored sitting at home. And while husband Saif Ali Khan can be seen spending his time reading and lazing around in the grass, Kareena seems to be quite unoccupied in this photo! "Fall i̶n̶ ̶l̶o̶v̶e̶ asleep... #Mess" she captioned this cute picture of her passing time with Saif.

Which of Kareena Kapoor's Instagram photos did you like the most?

On the work front, Kareena was recently seen in Irrfan Khan and Radhika Madan's Angrezi Medium. She will be next Laal Singh Chadha opposite Aamir Khan. The film is a remake of Tom Hanks' Forrest Gump (1994) and is helmed by director Advait Chandan. The movie is slated to hit theatres on Christmas 2020.

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Hrithik Roshan is one doting dad and equally, doting is mother Sussanne Khan to their children Hrehaan and Hridhaan. Roshan and Khan have now come together to make sure their kids are safe, sound, and absolutely fine during this time of the Coronavirus crisis.

Hrithik and Sussanne regularly give us insights into their quarantine life through their pictures and videos that they share on their respective Instagram profiles. Continuing to do so, Sussanne took to her Instagram account to share a beautiful live picture of Hrithik and sons, Hrehaan and Hridhaan enjoying the scenic beauty standing in the balcony. The boys looked adorable in their casual wears. Khan also shared lines from a poem by Welsh poet William Henry Davies while sharing the pictures.

Sharing the picture, she wrote, "What is this life, so full of care, We have no time to stand and stare. No time to stand beneath the boughs, And ask with love, about the ‘why’s’ and ‘ how’s’, So stop awhile and do enjoy that stare, Take it in.. absorb as we all are moving.. even though we don’t know where. There is, this amazing thing called ‘Life’.... as the ultimate dare. Stay Home, Stay strong and full of care. Inserts taken from the poem.Leisure by William Henry Davies. #SHHH #stopandstare #the-philosophers #RyeRayRidz #designyourthoughts #summeroflockdown2020 #quarantivities #notestoself p.s the app used for the moving clouds is called Pixaloop (sic)."

 

 

 

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A post shared by Sussanne Khan (@suzkr) onApr 24, 2020 at 9:34pm PDT

Recently, the couple celebrated Hrehaan's birthday. It was an adorable birthday celebration and Roshan thanked flexibility and technology for the same. He shared a video where the young kid could be seen celebrating the special occasion with his dad, mom Sussanne, grandfather Rakesh Roshan, grandmother Pinkie Roshan, and aunt Sunaina Roshan. Taking to his Instagram account, he shared a video where the young kid could be seen celebrating the special occasion with his dad, mom Sussanne

 

 

 

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A post shared by Hrithik Roshan (@hrithikroshan) onMar 29, 2020 at 3:02am PDT

Before this, the actor had shared a special video showcasing his piano skills by playing a tune on the musical instrument. The video featured a special appearance by his ex-wife. 

 

 

 

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A post shared by Hrithik Roshan (@hrithikroshan) onMar 31, 2020 at 7:05am PDT

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Bollywood's chirpy beauty Sara Ali Khan and brother Ibrahim, are keeping up with their fitness regime during the coronavirus lockdown period by working out at home. However, on Saturday, they were joined by a new friend -- Fuffy Singh, their pet dog.

The 'Love Aaj Kal' actor took to Instagram to share a picture during their workout session. In the shared picture, the 24-year-old actor can be seen posing for the camera with her 'Pilates Girl' tee. On the other hand, Ibrahim is lying on the floor shirtless in his shorts and shoes.

 

 

 

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Knock knock 👊🏻👊🏻 Who’s there? Not us- we’re working out 💪🏻 🙌🏻 Yes, us includes Fuffy Singh 🐕 🐶 @fuffy07 #happyweekend #stayhome #staysafe #staypositive

A post shared by Sara Ali Khan (@saraalikhan95) onApr 25, 2020 at 11:10am PDT

Meanwhile, their adorable pet dog, Fluffy, can be seen watching the brother-sister duo. Taking it to the captions with another 'Knock Knock' reference, she wrote: "Knock knock Who's there?Not us- we're working out Yes, us includes Fuffy Singh @fuffy07#happyweekend #stayhome #staysafe #staypositive"

On Friday, the brother-sister pair tried to beat the lockdown blues and shared an adorably sweet video shot while playing 'Knock Knock joke.' Meanwhile, the 'Simmba' star keeps on sharing glimpses of her quarantine time to keep her fans updated on her social media.

 

 

 

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For now, we all live under a rock 🏡 All of us- the nerd 🤓the jock ⚽️ In the meantime Ibrahim and sister you can mock 👫🙊🙈 While we do our favourite Knock Knock🐣🤷‍♀️🚪👊🏻👊🏻 #knockout

A post shared by Sara Ali Khan (@saraalikhan95) onApr 24, 2020 at 6:01am PDT

Ahead of the Earth Day, Khan shared her love for mother Earth through a collage of beautiful throwback pictures with exotic natural beauty forming the backdrop.

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Superstar Salman Khan on Saturday extended wishes to the people as the holy month of Ramzan commenced today. The 'Bharat' star took to Twitter and while he wished people on the auspicious occasion, he also advised them to stay at home and wrote: "Ramadan Mubarak to all... Stay home stay safe!" The 54-year-old actor also condemned the stone-pelting incidents that occurred with the health officials amid the coronavirus outbreak.

Earlier, Salman shared a video in which he put out a sharp message to the "jokers" who were flouting government-imposed guidelines and venturing out during the ongoing lockdown, putting at risk countless lives to the deadly coronavirus.

In a 10-minute hard-hitting video shared on Instagram he pointed out that doctors, nurses and policemen are putting in long hours to curb the spread of coronavirus and urged people to respect their work and stay inside.

He questioned in his video: "Doctors and nurses are working to save your lives and what do you do? You started pelting stones at them? Those who have been diagnosed with coronavirus, are running away from the hospitals. Where are you running? Towards life or death?"

The 'Dabangg 2' star appreciated the efforts by the frontline warriors and said: "The virus that started in China is over in China now, but because of a few jokers, the whole of India will sit at home for a long time."

The 'Tiger Zinda Hai' star said that he was aware of many people who wouldn't come out of their homes earlier but have started doing so since they've been asked to not go out. "You are putting everyone's lives at risk," the 'Bajrangi Bhaijaan' actor said.

Salman concluded by urging the people to respect the work of the doctors, nurses, police personnel and those who work in banks, take care to ensure that the disease does not spread further and pray that it does not come to a situation where the military has to be called in to stop people from doing the wrong thing.

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Actor Randeep Hooda on Saturday shared a glimpse from his Hollywood debut in the upcoming Netflix film 'Extraction' with a safety slogan 'Don't step out' amid lockdown to curb the spread of coronavirus.

The 43-year-old actor took to Instagram and shared a glimpse from the film where Hooda is seen in commando mode to save a boy while holding a gun in his hand. The 'Highway' actor is seen dressed in black commando dress while he runs for safeguarding a boy.

 

 

 

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Only if this boy hadn’t stepped out! Don’t step out or.... . #Extraction #Lockdown @Netflix_in @netflix @netflixfilm @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @rudhrakshjaiswal1

A post shared by Randeep Hooda (@randeephooda) onApr 25, 2020 at 2:27am PDT

The 'Sarabjit' star captioned the post as, "Only if this boy hadn't stepped out! Don't step out or... #Extraction #Lockdown."

Earlier this week, Hooda shared a video from the movie's shooting in India and announced its streaming date as April 24.'Extraction also stars Australian actor Chris Hemsworth and some of the parts have also been filmed in India. In the video, the production staff of 'Extraction,' along with Randeep and Hemsworth are seen talking about India and how different the feeling was to shoot in the country.

 

 

 

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India isn't just about heat, but a lot of warmth too.. here's a glimpse into shooting #Extraction in India Streaming on Netflix from 24th April @Netflix_in @netflix @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @tsigel @ptnewall @leecleary1 @outthayr @danielstevens1 @artoflegitsu @rostacosta @rudhrakshjaiswal1 @dkharbour @golfarahani @priyanshupainyuli @battlecat_stunts_inc @dargan_fire @danlawsonjohnston @matteo__silvi @luca_vannella @tessjosephcasting @indochinaproductions @luca_vannella @tessjoseph19 #joewhelan #tomharrison

A post shared by Randeep Hooda (@randeephooda) onApr 20, 2020 at 11:40pm PDT

The Netflix film also marks the 'Kick' actor's Hollywood debut.

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Actor Taapsee Pannu who is on a photo-sharing spree these days on Saturday shared an exquisite throwback picture from her trip to Rome. Just like many others who are dreaming of vacations during the lockdown, the 'Pink' actor is also seen reminiscing about her vacation in her latest throwback post on social media.

 

 

 

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One of those trips I just decided to take very impulsively. Rome. Was in my list since long time. I love seeing places which should either have beach, crystal blue water n good restaurants or should have a lot of history to know n study about and have a lot of good restaurants. Basically good restaurants is the basic common key here. I loved using all the local apps to find me local transport n restaurants to dine in. Quaint cafes which make u pause. I think it will be some till I experience the thrill of travelling again. But until then, we can make a list of all places in the world we want to see coz life is too short and we all have witnessed that it’s quite possible that things won’t be the same tomorrow 🤷🏻‍♀ï¸Â #Throwback #Archives #QuarantinePost

A post shared by Taapsee Pannu (@taapsee) onApr 24, 2020 at 9:57pm PDT

Alongside a picturesque picture shared on Instagram, the actor wrote: "One of those trips I just decided to take very impulsively. Rome. Was in my list since long time... "

Taking it to the captions, the 'Mulk' actor also pinpointed the key factors she seeks while travelling. "I love seeing places which should either have a beach, crystal blue water n good restaurants or should have a lot of history to know n study about and have a lot of good restaurants," the caption read.

"Basically good restaurants are the basic common key here," the 32-year-old wrote. She also mentioned her interest in using the "local apps" to find her "local transports and restaurants to dine in." "Quaint cafes which make u pause," she added.

Referring to the current lockdown and unpredictable situation the life has been thrown into in the wake of coronavirus crisis, Taapsee also added that one can "experience the thrill of traveling again.. until then, we can make a list of all places in the world we want to see coz life is too short and we all have witnessed that it's quite possible that things won't be the same tomorrow."

Lately, the 'Manmarziyaan' actor has been sharing many throwback pictures as she earlier announced on Instagram that she will be posting a series to refresh some memories amid the coronavirus lockdown.

Taapsee is currently at home like many other celebrities as the country is under lockdown to prevent the spread of the coronavirus.

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Actress Bhumi Pednekar has been honing her green thumb during the COVID-19 lockdown. The actress has taken to social media to share the yield she has grown at home. The list includes feugreek (methi), mustard (sarson), amaranth (cholai), green chillies, brinjals and strawberries.

Sharing the photos of her homegrown crops on Instagram, the actress wrote: "After months of tender love & care, we present to you #PednekarKePed #homegrown #GharKiKheti #sustainableliving."

 

 

 

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After months of tender love & care,we present to you #PednekarKePed 🌱 #homegrown #GharKiKheti #sustainableliving

A post shared by Bhumi✨ (@bhumipednekar) onApr 25, 2020 at 2:56am PDT

Earlier this month, the actress had announced that she would utilise the lockdown time learning the science of hydroponics (soil-less) farming from her mother Sumitra Pednekar.

"My mom and I always wanted to have a hydroponics garden of our own where we grow our own vegetables and can have a fully sustainable lifestyle. We wanted to have a garden to table lifestyle at home and we are both happy with the progress," she had shared.

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Yesterday, on April 25, Vicky Kaushal took to social media to cheer a youngster who overcame the odds to battle the virus. He shared a video in which the girl (above) is seen being welcomed back home by residents and security personnel of a housing complex in Andheri. He wrote, "Like a ray of sunshine on a gloomy day, our little warrior comes back home. Welcome back champ (sic)." Kaushal stays in the same complex, which had been partially sealed by the BMC after the girl tested positive. Residents have been asked to take precautionary measures.

The video will surely make you applaud the girl and salute her spirts. Have a look at the video right here:

 

 

 

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Like a ray of sunshine on a gloomy day, our little warrior comes back Home! #WelcomeBackChamp 🌟💛

A post shared by Vicky Kaushal (@vickykaushal09) onApr 24, 2020 at 9:38am PDT

The whole world has been suffering from the Coronavirus pandemic for more than a month now and we all are collectively waiting for it to get over as soon as it can. The lockdown has now been extended till May 3 and reports suggest that in Maharashtra, it is likely to be extended further. This is a tough time for all of us and we need to take safe and strict measures.

Thanks to actors like Kaushal that we are getting to know the spirits of all the survivors and how they have combated Coronavirus. There are a lot more stories like this that are waiting to be told. As far as the actor himself is concerned, he has been doing what pretty much everyone else is- Experimenting with haircuts, cooking food, cleaning the house, and uploading candid pictures and videos.

Once the lockdown is over, the actor will gear up for a lot of massive and mega-ambitious films like Takht, Ashwatthama, Sardar Udham Singh, and a film on the life of Sam Manekshaw.

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Megastar Amitabh Bachchan shared a "breaking news" that a bat entered his home Jalsa in Mumbai. Bachchan took to Twitter to share the "news of the hour" with his fans and followers." "Ladies and gentlemen of the Jury .. news of the hour .. BREAKING NEWS .. would you believe it .. A Bat, a (chamgadar) has come into my room .. in Jalsa .. on the 3rd floor .. in my Den..."

The thespian said that it was a tough job to take the bat out from the room. "Badi mushkil se use bahar nikala (It as tough to take it out)... Corona peecha chodh hi nahin raha (Corona is not leaving)."

T 3510 - Ladies and gentlemen of the Jury .. news of the hour .. BREAKING NEWS .. would you believe it ..
A Bat , a चमगादर has come into my room .. in Jalsa .. on the 3rd floor .. in my Den .. 😯😯
badi mushkil se use bahar nikala ..
Corona peecha chodh hi nahin raha !!!

— Amitabh Bachchan (@SrBachchan) April 25, 2020

However, the tweet did not go down well with many social media users.

A user wrote: "Sorry to hear this from a reputed personality. Bats are not harmful and there is no need to fear. Kindly understand that they did not spread the virus to human. The reason is still debated. By nature, most animals have got virus in their body. Pls read this."

Another commented: "Not in good taste sir. You have millions of followers. Still we don't have exact process of human virus spillover. Demonising bat is last thing we want. Things we know for sure; They are pollinators. They help in pest control. Please revisit it."

Not in good taste sir. You have millions of followers. Still we don’t have exact process of human virus spillover. Demonising bat is last thing we want. Things we know for sure; They are pollinators. They help in pest control. Please revisit it.

— Parveen Kaswan, IFS (@ParveenKaswan) April 25, 2020

"This is story of every uncle now days after limits on WhatsApp forwards," said a user.

Sir, over 60 scientists have released a press statement that bats don't spread COVID-19. I've had bats visit, switch off lights and fans, they find their way out. Bats are amazing and important ecologically, and a lot of researchers are working on dispelling myths about them. pic.twitter.com/kwVT4KC33Q

— Bijal Vachharajani (@bijal_v) April 26, 2020

On the work front, Big B will next be seen in films like "Chehre", Gulabo Sitabo", Brahmastra" and "Jhund".

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Every time there's a crisis in the country or in the world, it is bound to attract mixed responses and debatable opinions on social media. The Coronavirus pandemic or pandemonium, if we say so, is nothing different. The world began to get plagued to an extent that a worldwide lockdown had to be declared that's now likely to continue longer.

And during this lockdown, a majority of the Bollywood and Hollywood celebrities began sharing their videos and pictures on Instagram. Some shared their workout videos, some shared their new haircuts, and many of them showed us their culinary skills and candid shots of their gorgeousness. This was bound to be met with scathing criticism and subtle and sly digs. And now, a video has surfaced on social media where some people are taking that very dig on these influential people's privileges.

Seeing this video, filmmaker Karan Johar has realised how insensitive his videos may have been and how he feels the need to apologise profusely. Taking to his Twitter account, he wrote- "This hit me hard and I have realised many of my posts may have been insensitive to many...I apologise profusely and wish to add none of it was intentional and came from a place of sharing but clearly may have lacked emotional foresight ....am sorry!" (sic)

Have a look right here:

This hit me hard and I have realised many of my posts may have been insensitive to many...I apologise profusely and wish to add none of it was intentional and came from a place of sharing but clearly may have lacked emotional foresight ....am sorry!🙏❤ï¸Â https://t.co/MO3kHkDQdo

— Karan Johar (@karanjohar) April 25, 2020

Johar, for the last few weeks, has been sharing some funny videos of his children, Roohi and Yash, and their shenanigans. It seems he has sensed the fact that sharing these videos amid this crisis may not be the right thing right now since a lot of other people, the underprivileged, continue to suffer for livelihood amid this catastrophic crisis. Can we expect someone else to come forward and say sorry? Let's see!

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Kanika Kapoor has gone through a lot in the last few weeks. The singer traveled to the UK and was tested Coronavirus positive shortly after her return to India. Not once or twice, but she was tested Coronavirus positive as many as four times. Her family members were constantly with her and they even spoke about it.

However, nothing was heard from the singer. And little did she expect that her tests would also make her the talk of the town and people would even start making memes and opinions on social media. But now, it seems it was time for her to come out of the closet and reveal what kept her silent for so long. And she has! In a long Instagram post, she has finally spoken about her trip to London, her Coronavirus tests, and the long silence.

She wrote- "I know there are several versions of stories out there about me. Some of these seem to be fuelled even more because I have chosen to be silent till now. I stayed quiet not because I am wrong but in-fact being fully aware that there have been misunderstandings and wrong exchanges of information." (sic)

The post contains the minutest of details that will clear all the confusion people have had about her so far. Read it right here:

 

 

 

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Stay Home Stay Safe 🙏🏼

A post shared by Kanika Kapoor (@kanik4kapoor) onApr 26, 2020 at 1:50am PDT

In the end, she also asked us to stay home and stay safe. Well, given she has clarified everything; hopefully she should not be the target of memes and trolls now!

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It has been seven years since Mohit Suri's Aashiqui 2, starring Aditya Roy Kapur and Shraddha Kapoor came out. It made the actress an overnight star and sensation, and her character, Aarohi, still continues to be remembered for her piquancy and innocence, and of course, singing.

Every year, the actress does something special on this day to mark this musical blockbuster's anniversary and this year was no exception. She not only changed her Instagram name to her screen name from the film and upload a new photo from one its stills, but also uploaded a collage of some of the film's scenes to create one beautiful picture.

This is truly an innovative and imaginative way to celebrate your film, don't miss this post:

 

 

 

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7 years of Aashiqui 2 today!🥰💝 Thank you forever @mohitsuri for this gift of a lifetime @visheshfilms for believing, #ShaguftaRafique for your exquisitely beautiful writing, @adityaroykapur for being an unbelievably amazing costar and the entire team who gave their everything to this precious film. Thank you everyone who gave this film so so sooo much love. Its priceless✨ Thank you to all those who have made such beautiful edits and to the fan clubs for uniting and sharing a common dp today; this collage 🙃🥰 I’m the luckiest girl in the universe ✨💜

A post shared by Aarohi (@shraddhakapoor) onApr 25, 2020 at 11:43pm PDT

Shraddha Kapoor is well known for always delivering hits along with a new character and fresh content with every project. Shraddha being a lover of always wanting to try something new has been unstoppable ever since Aashiqui 2.

After Aashiqui 2, taking no breaks, Shraddha was seen in Ek Villain, where the character of being full of life was super fresh. Not forgetting ABCD 2 where Shraddha's dance totally stole hearts. Shraddha showed her versatility factor and the audiences were stunned on how the actress can mould herself in every way possible.

Moulding herself into another new character, Shraddha was seen doing some kicks and punches in Baaghi. The actress has given a carousel of hits and is a roll as the actress chooses quality projects over quantity and this totally sets her apart. Shraddha knows how to treat her fans with the best of characters, where fresh content always hunts Shraddha.

On the work front, Shraddha will be seen in a Luv Ranjan directorial alongside Ranbir Kapoor. The actress is basking in the success of Baaghi 3. Truly we can't wait to see what this fresh pair has brewed for us!

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The makers of Kangana Ranaut's Thalaivi are resigned to the fact that the film, like many other Bollywood offerings, will be delayed. However, they have a more pressing problem on their hands — two elaborate sets that were built in Hyderabad and Chennai have been standing unused over the past six weeks, leading to losses. If the lockdown extends to June, the makers fear the sets may be destroyed in the rains.

"We need to wrap up the film before the rains hit. Since they are outdoor set-up, they will be ruined in the monsoon. Reconstructing the set will be an expensive affair," laments producer Shailesh R Singh.

J Jayalalithaa

The shoot of the biopic on J Jayalalithaa, the late chief minister of Tamil Nadu, was running like clockwork until March. With a 45-day shooting stint slated to kick off on March 10, the AL Vijay-led team had constructed a set of the Parliament House at the Ramakrishna Cine Studios in Hyderabad. After the shoot would be wrapped up by the third week of April, their next pit-stop was Chennai.

"We have recreated Mount Road at the AVM Studio in Chennai, and had planned a patchwork shoot there. Almost 40 per cent of the movie is left to be filmed," says producer Vishnu Vardhan Induri, adding that they pre-emptively cancelled the Hyderabad shoot in the wake of the pandemic.

Sources say that the makers, who are bearing the maintenance cost of the sets and the studio rent, have incurred losses of R5 crore so far due to the lockdown. While Singh is unwilling to put a number to the damages, he adds, "Our team's safety is our priority. We had paid [the studio] for March, but were unable to shoot for a single day in Hyderabad. It's uncertain when the lockdown will be lifted. Even if we get a 10-day window, we will finish shooting the outdoor portions."

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I have watched everything that was pending on my must-watch list over the years," laughs Tahir Raj Bhasin, echoing the sentiment of many who have turned to digital entertainment to escape the lockdown ennui. A movie aficionado, the actor has been making the most of the stay-at-home period by acquainting himself with the works of the masters — from Russian director Andrei Tarkovsky to Oscar-winner Bong Joon-ho."

"My first recommendation would be Shoplifters on Netflix. It's a 2018 Japanese drama by Hirokazu Koreeda that traces the story of a dysfunctional family. It has a slow pace, but the lockdown is the perfect time to widen your horizon when it comes to movie consumption," says Bhasin. For those fascinated by crime thrillers like he is, the actor has a suggestion. "The 2002 HBO series, The Wire, was the first show that I had binged on. It was the first time that film budgets [were commissioned] for long-format storytelling on television, making it a path-breaking series. Being a fan of House of Cards, I revisited Borgen, the Danish political thriller that is said to be the inspiration for the American drama. I also relished the animation series, Love Death + Robots."

A still from Stalker

The movie that left an indelible impact on his mind was Tarkovsky's sci-fi offering, Stalker (1979). "It's available on YouTube. In Stalker, Tarkovsky is talking about an apocalyptic world where there are few human beings around and they have to stay away from each other. I was able to relate to it as it almost mirrors our current situation."

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Bollywood actress Vidya Balan is elated as she's raised over 2,500 PPE kits for doctors and Rs 16 lakhs for those who are battling at the frontline to keep everyone safe from COVID-19 pandemic.

Vidya had also collaborated with celebrity shout-out platform Tring, along with Manish Mundra of Drishyam Films and photographer cum film producer Atul Kasbekar. She took to Instagram on Sunday afternoon where she shared the good news.

"I've woken up to good news this morning. We've reached 2500+ PPE kits and raised over 16 lakh in just a few hours. A big thank you to each of you who has donated and made this possible. A load of gratitude and bless you. This is truly the unity and spirit of India..." she said in the video.

Here it is:

 

 

 

View this post on Instagram

Thank you very much for your generous donations from all over the world. I’m elated to share that we have raised 2500+ kits accounting over Rs.16 lakhs within few hours. A load of gratitude for helping in donating over double our initial target. The campaign will run for some more time, so if you haven’t been able to donate yet but want to help out, go to www.tring.co.in and donate whatever you can. Every single kit is helping protect a life. The #WarAgainstCovid19 continues, let’s #UniteForHumanity #StayHome #StaySafe

A post shared by Vidya Balan (@balanvidya) onApr 25, 2020 at 9:21pm PDT

Alongside the video, Vidya wrote: "Thank you very much for your generous donations from all over the world. I'm elated to share that we have raised 2500+ kits accounting over Rs 16 lakh within a few hours. A load of gratitude for helping in donating over double our initial target.” (sic)

"The campaign will run for some more time, so if you haven't been able to donate yet but want to help out, go to www.tring.co.in and donate whatever you can. Every single kit is helping protect a life. The #WarAgainstCovid19 continues, let's #UniteForHumanity #StayHome#StaySafe".

In an earlier post, the Mission Mangal star had informed that each PPE kit worth Rs 650 consists of one coverall laminated and waterproof nitrile gloves, goggles, face shields, 3-ply surgical mask, and shoe covers.

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The lockdown may have played havoc with the schedule of their next, but Rajkummar Rao and Kriti Sanon are seeking comfort in the small progress they have made. For months, the team had been on the hunt for a suitable title for the comedy that also features Paresh Rawal and Dimple Kapadia. Now, the makers have finally christened it Second Innings. "The title fits our story seamlessly," says director Abhishek Jain about his maiden Hindi venture.

The production house has previously tackled diverse social issues with their offerings Bala (2019), Luka Chuppi (2019) and the recent Angrezi Medium. Second Innings explores the idea of adopting parents through Rao and Sanon's characters, who feel a vacuum in their lives and decide to bring an older couple home to complete the family.

Dimple Kapadia and Paresh Rawal

"We were supposed to begin shooting in Delhi in March, but now everything has been pushed due to the pandemic," says Jain, indicating that the schedules will have to reworked when normalcy returns.

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Sharing a video which he termed as 'a small step towards humanity', megastar Amitabh Bachchan on Sunday urged people to stay compassionate and inclusive in the testing times of coronavirus crisis.

Bachchan took to Twitter to share the initiative of spreading love and compassion across the country.

T 3513 - A small step towards #Humanity pic.twitter.com/dHu6ZE7aMd

— Amitabh Bachchan (@SrBachchan) April 26, 2020

The video message for which Bachchan has given his voice talks about different times when humans need a helping hand from several professionals and how during times of crisis people should not forget that humans are interdependent on each other. "A doctor held me in his arms when I came out of my mother's womb. A nurse bathed me with her gentle hands when I was a little baby. My teacher held my finger with her fingers when she taught me to write the first alphabet 'A.' My safety was in the hands of our driver when I went to school," Bachchan is heard saying in the video.

"When I ate, I always knew that it was prepared by the loving hands of our cook. We always needed those hands, we still need them, those safe hands, those protective arms, those guiding fingers," he further said.

He then correlated the message to the current scenario of the coronavirus crisis and said that social distancing should not distance people from humanity.

"Today, handwashing and social distancing have become paramount for our safety. So, hands folded I implore you, let us not wash our hands of humanity," the 'Sholay' actor said.

"Let us not suspicious of people around us, let us not shun people around us, let us not shame people around us. Let us be aware, let us be compassionate, let us be benevolent, let us be inclusive, let us be human," he added.

The 77-year-old actor has been associated with different campaigns and has also been raising awareness about coronavirus for a long time.

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Dubbing her as 'wanderlust', actor Kangana Ranaut's team on Sunday posted throwback pictures of her from her trip to Europe in 2008. The picture featured a younger Kangana in her early 20s travelling to various parts of Europe including famous Italy based amphitheatre - the Colosseum.

 

 

 

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Major #Throwback check: Wanderlust Kangana travelling all around Europe (in 2008!!) learning about art-history and wines. Sundays are for reminiscing about those carefree days, till we can travel again ...

A post shared by Kangana Ranaut (@team_kangana_ranaut) onApr 26, 2020 at 4:08am PDT

The 'Queen' actor is seen dressed in simple yet elegant outfits in the pictures from her two-month-long trip to Europe. "#Throwback to the good old travel days! Major throwback to 2008 when the 21-year-old art, history, and travel enthusiast #KanganaRanaut travelled to Italy for a 2 months long trip!" the team tweeted along with the pictures.

They also shared trivia on the 'Tanu Weds Manu' actor's travel diaries and said that Kangana used to take her camera to each of her trips. "Interesting Trivia: before the iPhone days, she used to take her camera along everywhere," the team tweeted.

Kangana began her acting career at a very young age with her debut film 'Gangster' for which she garnered a lot of appreciation.

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We have pretty much seen all major Bollywood celebrities sharing their unseen and throwback pictures and videos on their social media accounts. And sometimes, their fan-clubs do the honours. Talking of fans, Shah Rukh Khan has one of the highest fan-followings in the world, let alone India. So how could his throwback and unseen pictures stay away? His fan-club has also taken care of it!

Taking to its Instagram account, it posted a major throwback picture that will not only put a smile on your face but also drive away your Monday blues. It was all the way from Kajol's Mehendi ceremony and we could spot SRK, Gauri Khan, and a very young Aryan Khan. SRK, Gauri, and the bride-to-be Kajol could be seen smiling for the camera whereas the toddler was busy in his own world.

Have a look right here:

 

 

 

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#ThrowbackThursday Have you seen this vintage picture of #SRK, Aryan and #gaurikhan at #Kajol's mahendi? #shahrukhkhan #shahrukh #srk #shah_rukh_khan #shahrukh_khan #iamsrk #kingkhan #gaurikhan #kajol

A post shared by Monika Lang (@kiransrkfan) onApr 23, 2020 at 8:35am PDT

Shah Rukh Khan and Kajol have redefined history on the celluloid with one massive blockbuster after another in the form of Baazigar, Karan Arjun, Dilwale Dulhania Le Jayenge, Kuch Kuch Hota Hai, and Kabhi Khushi Kabhie Gham. Coming to the actress and her hubby Ajay Devgn, they tied the knot on February 24, 1999, and did films like Pyaar To Hona Hi Tha, Raju Chacha, U Me Aur Hum, and Tanhaji: The Unsung Warrior together.

This picture is truly a delight for all their fans and captures the time when there was no social media phenomenon, only a camera and some, as they used to say, Kodak Moments!

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The greatest joy for any mother can be to spend her time with her child. And given the world is currently locked down due to the Coronavirus pandemic, we all are getting a great opportunity to spend time with our families. One of them is Sunny Leone. And she's extremely elated that she's spending time with her daughter Nisha.

Taking to her Instagram account, she uploaded a short but sweet video with added filters and called herself a lucky mommy and her daughter pretty. Have a look at it right here:

 

 

 

View this post on Instagram

Nisha is so so pretty!! I'm a lucky mommy! With the sweetest heart!!!

A post shared by Sunny Leone (@sunnyleone) onApr 25, 2020 at 11:43am PDT

And in case you didn't know, she has also become an artist during this lockdown. Yes! She posted her latest piece of work that took about 40 days to complete. You all might be in awe after seeing this, have a look:

 

 

 

View this post on Instagram

Finally done my lockdown piece of art. Has taken 40days to complete. It's called “broken glass” sort of like our lives at the moment. Everything might feel shattered, but every piece is meant to be next to each other to be made whole again. So if we can work together we also will feel whole again and come back together. Love you all.

A post shared by Sunny Leone (@sunnyleone) onApr 26, 2020 at 5:01am PDT

Sunny and her husband Daniel Weber have always been extremely protective about their children and are often spotted with them. And now, during the lockdown, are spending quality time with them at home.

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Saif Ali Khan and Kareena Kapoor Khan's toddler Taimur Ali Khan is everyone's apple of the eye and is possibly one of the most popular and adorable munchkins on the block. Meet Ibrahim Ali Khan now, also Saif's son and who was no less. He shared his childhood picture recently and called himself Picasso Jr.

In the picture, we could see his hands covered in paint and one of his cheeks with the paint too. Just like how Kareena shared a similar picture of Taimur a few days ago, Ibrahim has shared how, and it's truly as adorable and amazing.

Have a look right here:

 

 

 

View this post on Instagram

Picasso Jr

A post shared by Ibrahim Ali Khan (@iakpataudi) onApr 26, 2020 at 6:48am PDT

All the stars in Bollywood are trying to be as creative as possible to stay happy amid this lockdown and quarantine and Ibrahim seems to be one of them. His Instagram account is very entertaining and exciting. He keeps sharing photos and videos with his mother Amrita Singh and father Saif Ali Khan both.

In case you missed it, he shared another childhood photo with Amrita Singh on the occasion of Women's Day last month, have a look:

 

 

 

View this post on Instagram

Happy Women’s day to the best woman I’ll ever know 💘

A post shared by Ibrahim Ali Khan (@iakpataudi) onMar 8, 2020 at 11:07am PDT

And giving him very close and tough competition is his sister Sara Ali Khan, who has also begun sharing some throwback pictures and videos on her Instagram account. If these siblings had to compete in Instagram posts and cuteness, who do you think will win?

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Kiara Advani is bored of sitting in her south Mumbai home. It appears that she is missing the studios and the shoots. More importantly, she can't catch up with her pals. We assume this includes a certain Bandra-based Mr Malhotra as well. In an attempt to describe her mental state, the Kabir Singh (2019) actor shared a childhood video.

She also posted a video in which she is seen riding on her bicycle. She tells mother Genevieve that she is fed up of waiting and playing indoors as she wants to go out to play. Advani captioned the video, "The wonder years... but my mental state right now... nobody's going out. Home sweet home (sic)." Take a look!

 

 

 

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“Mummy, I’m fed up of waiting because I feel like going” My mental state right now🙃 but...nobody’s goin out! Home sweet home! 😇 #thewonderyears 🌈

A post shared by KIARA (@kiaraaliaadvani) onApr 23, 2020 at 2:51am PDT

It's not just this one, but before she rode the bicycle, Kiara Advani confessed how her mom thought she would take up ballet as her career, but chose to be an actress instead.

 

 

 

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When mom thought I would join the Bolshoi ballet but I chose Bollywood instead💁🏻‍♀ï¸Â #thewonderyears 🌈👯‍♀ï¸ÂðŸ‘§ðŸ¼ðŸ¥°

A post shared by KIARA (@kiaraaliaadvani) onApr 21, 2020 at 11:25pm PDT

In another video, Kiara Advani was seen sipping milk from her favourite Cinderella cup. Not kidding! Well, who hates princesses? And Cinderella? So nostalgic! Check this one out.

 

 

 

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#thewonderyears 🍼🌈🍭🧸 doodh ka doodh, paani ka paani.. and my obsession with Cinderella 👧🏼

A post shared by KIARA (@kiaraaliaadvani) onApr 20, 2020 at 11:42pm PDT

Speaking about Kiara Advani's childhood days, the actress also shared a sweet picture with brother Mishaal, where she is seen planting a peck on his cheek. So adorable! So, this is what siblings look like.

 

 

 

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Happy Sibling Day @mishaaladvani squishy for mishy forever❤ï¸ÂðŸ˜˜

A post shared by KIARA (@kiaraaliaadvani) onApr 11, 2020 at 6:50am PDT

Well, many aren't aware that Kiara Advani is really good friends with Isha Ambani. The actress and her childhood friend share a warm bond, and these images are proof enough!

 

 

 

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There are some special people who are a part of your life and you grow up with. My oldest friend, still as caring, as humble and as amazing as you were when we first met! My to be bridey, Ishu never ever let the child in you grow up❤ï¸Â forever your Aliu 👯‍♂ï¸Â Congratulations @_iiishmagish @anandpiramal 💍🎉Comofomo🙃

A post shared by KIARA (@kiaraaliaadvani) onSep 22, 2018 at 9:49pm PDT

Kiara, there there! We completely understand what you are going through right now.

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Amid lockdown due to the outbreak of coronavirus in the country, Bollywood celebrities are seen doing their own chores at home. Dancer-actress Nora Fatehi seems to be now done as she says she wants the "dishes to leave me alone" in a hilarious post. 

Nora, who is lauded for her flawless dancing skills, took to her Instagram Stories, where she shared a video of herself talking to the pile of dishes kept in the sink. In the TikTok video, Nora seems to have a funny conversation with the dishes in the sink, she is heard saying: "What? You are always looking at me dude! Shut the .... up because I always catch you staring... I swear, ask anybody you are always staring at me."

She captioned the clip: The dishes are always waiting for me... These dishes need to leave me alone #quarantinelife."

 

 

 

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@norafatehi this is hilarious! The Dishes! 😂😂😂 Check out Nora’s TikTok for more videos - ItsNoriana 👍🏼❤️ . . #WeLoveNoraFatehi @norafatehifan.england #norafatehi #norafatehifans #garmi #nachinachi #BhujThePrideofIndia #noriana #norafatehifans #pepeta #EkTohKumZindagani #dilbar #arabicdilbar #kamariya #Naah #OSakiSaki #conochallenge #StreetDancer3D #beautiful #love #gorgeous #bae #stunning #dance #fashion #india #mumbai #morocco #actress #bollywood #norafatehifan_england

A post shared by Nora Fatehi Fan | Nora Follows (@norafatehifan.england) onApr 25, 2020 at 9:47am PDT

Recently, a video of Nora's enviable moves went viral, in which she pulled off a fusion of Afro, Urban and Dancehall styles of dancing.

Nora's most popular on-screen performances include "Manohari" ("Baahubali: The Beginning"), "Dilbar" ("Satyamev Jayate"), "O saki saki" ("Batla House") and "Ek toh kam zindagani" ("Marjaavaan"), besides her recent hit "Garmi" in "Street Dancer 3D". On the acting front, Nora will next be seen in the Ajay Devgn-starrer "Bhuj: The Pride Of India".

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Ayat Sharma, Arpita Khan Sharma and Aayush Sharma's baby girl, was born on Salman Khan's birthday, December 27, 2019. Ever since the tiny tot has arrived, the entire family can't keep calm but just be around her. She has been spreading joy and happiness in the 'khan-daan' and we can't help but just scroll through her pictures the entire day. Doesn't she look adorable? Let's take a look at some of her pictures shared by the family on social media.

Aayush Sharma, Arpita Khan Sharma and the entire Khan family is currently in Panvel. The family has been on their farmhouse ever since the lockdown was announced in the country. The family is having a jamming session and making loads of memories being together.

Aayush, in of the posts, wrote, "A child can teach an Adult 3 things - To he happy for no reason - To always be curious - To fight tirelessly for something Paulo Coelho [sic]"

Aayush Sharma has also been sharing messages with his social media fans. Posing with the little one and Ahil, the actor captioned, "Stay at home .. spend time with your family and create beautiful memories Make the most out of this quarantine & stay safe. #quarantine #familytime [sic]"

 

 

 

View this post on Instagram

A post shared by Aayush Sharma (@aaysharma) onMar 20, 2020 at 8:23am PDT

Arpita Khan Sharma, Ayat posed and extended festive wishes with their fans on Instagram. Take a look!

 

 

 

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Wishing you all a very Happy Holi

A post shared by Aayush Sharma (@aaysharma) onMar 10, 2020 at 10:35am PDT

But did you know what won a lot of heart? 'Mamu' Salman Khan playing with Ayat. "We love you Mamu @beingsalmankhan," shared Arpita.

 

 

 

View this post on Instagram

A post shared by Arpita Khan Sharma (@arpitakhansharma) onMar 7, 2020 at 3:06am PST

In an interview, Aayush Sharma shared why he wanted to name his daughter Ayat. "We wanted everyone to be named with A. When I was travelling to London, I met a guy named Ahil and I thought it's a very unique name and it turned out to mean the rightful prince in Persian and that was very fascinating. We believe in secular relationships so we wanted both our kids to have a Muslim first name and a Hindu surname."

 

 

 

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Welcome to our world Ayat.

A post shared by Arpita Khan Sharma (@arpitakhansharma) onDec 30, 2019 at 4:48am PST

Ayat Sharma really deserves warm hugs! Isn't she adorable?

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It seems Hrithik Roshan was always destined to be a Superstar. They call him the last Superstar of Hindi Cinema. And even before the release of his blockbuster debut, Kaho Naa... Pyaar Hai, he was working on films like Mission Kashmir, Yaadein, and Fiza. Talking of this film that was made by film critic turned filmmaker Khalid Mohamed, it showed a very different side of the star and was just his second film.

Instead of tapping into his aura and smoldering persona, the filmmaker portrayed his human and vulnerable side, thus proving he not only has a solid screen presence but the ability to emote too. Sharing an unseen picture from the sets of the film, Mohamed showed all of us a very young Hrithik Roshan and the actor was truly overwhelmed seeing it.

First, take a look at the picture:

PIYA HAJI ALI.. was first day of shoot with HRITHIK ROSHAN as AMAAN in FIZA, now streaming on NETFLIX. Do have a look. pic.twitter.com/5LoaGitb7J

— khalid mohamed (@Jhajhajha) April 26, 2020

And this is what Roshan tweeted to him- "Wow . Overwhelmed looking at this . KNPH hadn’t released. Thanks for treating me so kindly on set." (sic) Have a look right here:

Wow . Overwhelmed looking at this . KNPH hadn’t released. Thanks for treating me so kindly on set @Jhajhajha https://t.co/oZrtEQJbp3

— Hrithik Roshan (@iHrithik) April 26, 2020

Fiza will be completing 2 decades this year and still remains of his most nuanced performances as an actor. And of course, Karisma Kapoor’s best till date!

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A day after Bollywood singer Kanika Kapoor explained the controversies regarding her having tested corona positive last month; the Lucknow Police pasted a notice at her house, asking her to record her statement.

Kanika Kapoor has been charged under IPC Section 269 (negligent act likely to spread infection of disease dangerous to life) and Section 270 (malignant act likely to spread infection of disease dangerous to life) of the IPC.

Deepak Kumar Singh, ACP, Krishna Nagar said that the singer will have to come to the police station and give her a written statement. Further action will be taken after this.

On Sunday, Kanika took to Instagram to express her gratitude to the health workers who treated her. She also wrote that several stories were doing the rounds and she was fully aware and knew that some information has been misrepresented.

According to Kanika, she arrived in Mumbai on March 10 from the UK. During this time, she was scanned at the international airport. Until that time no advisory had been issued that required her to quarantine herself.

She had come to Lucknow to meet her family on March 11, when there was no scanning system for domestic flights. On March 14 and 15, Kanika went to lunch and dinner with her friends.

She pointed out that all the people she had interacted with in the UK, Mumbai, and Lucknow are healthy and their reports have also come up negative.

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The Rani Mukerji and Saif Ali Khan starrer Ta Ra Rum Pum stood out as a sports-drama that was set against the backdrop of car racing in the USA with Saif playing a racing prodigy. Directed by Siddharth Anand, the film had a lavish shooting schedule in the United States and Rani has some very fond memories of shooting this project. Today, as the film completes 13 years, the actress speaks about almost everything that you'll love to read!

"Ta Ra Rum Pum was a very, very lovely shooting experience for me because we shot in America, in New York, for nearly 3 months. I was there for 3 months at a stretch and it was lovely living in New York around that time shooting the film. We had two little angels - Ali and Angelina (who played the roles of Priya and Ranveer – Saif and Rani's on-screen kids) and I was single at that point of time but to actually play a mother of these 2 children really got my motherly instincts out," says Rani.

The talented actress adds, "Today when I look back and watch the film when I have Adira with me, it just feels so amazing. When Ta Ra Rum Pum released, I had a lot of children and parents really watching the film with a lot of love. I still get a lot of people telling me that they watched Ta Ra Rum Pum and it's one of their favourite films because it has car racing and it has the story about the children."

Rani feels the film's universal theme of family coming together to overcome all odds is what connected with the audiences. "It's a very nice warm lovely story and I think I connected with the film and the story a lot at that time. It was a very sweet story about this couple who has children and how they fight the odds. I think crisis like these brings families closer and I think that's a very special part of the story," she says.

Rani thoroughly enjoyed the animation in the film which was hailed as a cut above as far Bollywood standard back then was. "Of course, it had the animation song (Ta Ra Rum Pum) with the teddy bears which is one of my favourite songs. I think they had done a lovely job and the animation was one of my first animation songs which I did!" the actress adds.

Rani had a blast acting with Saif, with whom she also delivered the blockbuster Hum Tum, and her co-stars in the film. "Of course, having Saif with me as a co actor was wonderful! Also, Victor Banerjee played my father in the film and it was wonderful having him on set and to be working with him. It was overall a great experience and I remember being really, really happy on the sets of Ta Ra Rum Pum!" she says.

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Sara Ali Khan knows how to keep her fans entertained and engrossed with her social media posts. And due to the lockdown, she has become a lot more active these days and is clearly having fun. Her latest post is possibly her cutest and also the best. What draws our attention is the winning caption!

Taking to her Instagram account, she shared a very old picture of herself where we could see her all dressed up, maybe for a dance performance in school and she was looking like a doll. We are not going to spoil the fun for you, have a look at the caption she has written to describe the picture.

Here it is:

 

 

 

View this post on Instagram

मेरे सपनों की रानी... hamesha main hi thi... 💭 🤔 👑 💫🌟💛

A post shared by Sara Ali Khan (@saraalikhan95) onApr 27, 2020 at 2:14am PDT

It's all sorted it seems! Kareena Kapoor Khan is sharing new pictures of her family, which also includes her munchkin Taimur Ali Khan, Sara and her brother Ibrahim Ali Khan are sharing some fantastic throwback pictures, and if all goes well, Saif Ali Khan may also make his Instagram debut soon. Excited?

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Bipasha Basu and Karan Singh Grover tied the knot on April 30, 2016, in a grand ceremony that was attended by The Who's who of Tinsel Town. In a span of just three days, they will be celebrating four years of togetherness, and of course, will be doing something special. And given the woman has the tendency to remember dates more frequently, the wife has already begun her side of the preparation.

Taking to her Instagram account, Basu shared a video where she could be seen cooking Karan's favourite Besan Laddoos and by the time the video ends, you could be feeling hungry and especially if you have a sweet tooth. This is what we call true love, and in this couple's case, Monkey Love!

Have a look at the video right here:

 

 

 

View this post on Instagram

The Making of his favourite Besan Laddoo❤️

A post shared by bipashabasusinghgrover (@bipashabasu) onApr 26, 2020 at 10:54pm PDT

Grover and Basu are travel junkies and often travel abroad to the most gorgeous locations and even share their beautiful and bold pictures from the different corners of the world. They even acted together in the 2015 film Alone and will now reunite for another thriller called Aadat, which is directed by Bhushan Patel.

It has been a while since we saw the actress on the big screen and we hope she comes back soon! And we also hope the couple shares some pictures on the day of their anniversary!

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Zoya Akhtar and Reema Kagti's Tiger Baby Films has one of the most intriguing pages on social media. The page has the most evocative artistic narrations, orated to viewers by eminent personalities from the industry.

They recently brought into play their new series on social media called 'Off the record' where the most prominent actors of the Indian film industry describe one of their most exemplary scenes from one of their movies.

This time around, it was Anushka Sharma on the mike as the actress spoke about her introduction scene as Farah in Dil Dhadakne Do and everything that makes the scene unique and special while giving some unknown sneak peeks into how the shooting went down.

Earlier, Farhan Akhtar and Ranveer Singh have also shared similar stories from Zindagi Na Milegi Dobara and Dil Dhadakne Do respectively. Tiger Baby films shared the post on social media with the caption, "Off The Record with Anushka Sharma | Dil Dhadakne Do."

"We make films for the silver screen but the little stories that make the big picture don't always come through.
Here's introducing our 'Off The Record' series where cast and crew from the Tiger Baby clan let us in on what went into creating some of their best scenes, what their psychology was in that moment and why this particular scene will always remain unforgettable to them. #nowrolling #storybehindthescene #offtherecordwithtigerbaby." (sic)

Off The Record with Anushka Sharma
Film: Dil Dhadakne Do
Scene: Farah's introduction scene", have a look right here:

 

 

 

View this post on Instagram

We make films for the silver screen but the little stories that make the big picture don't always come through. Here's introducing our 'Off The Record' series where cast and crew from the Tiger Baby clan let us in on what went into creating some of their best scenes, what their psychology was in that moment and why this particular scene will always remain unforgettable to them. #nowrolling #storybehindthescene #offtherecordwithtigerbaby Off The Record with Anushka Sharma Film: Dil Dhadakne Do Scene : Farah's introduction scene

A post shared by Tiger Baby (@tigerbabyfilms) onApr 26, 2020 at 11:26pm PDT

The film was mounted on a huge scale but also highlighted the importance of staying together and how a family comes first. And Anushka, as always, delivered a layered and nuanced performance. 

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Known for his chiselled frame and fitness fetish, Bollywood superstar Hrithik Roshan wants to decimate the last cigarette on the planet. The subject came up on Twitter after a user asked him he had a cigarette in his hand while he was standing with his sons in the balcony of his home, in a recently-posted picture shared by the actor's fanclub.

"Does @iHrithik have a cigarette in his hand or am I seeing wrong? I hope you don't @iHrithik. It makes me very very very sorry," the user wrote.

The actor replied: "I am a non-smoker. :) and if I was Krrish, first thing I'd do after eradicating this virus would be to decimate every last cigarette from this planet.

Recently, Hrithik shared some 'lockdown tips' with fans. He suggests a daily dose of vitamin D to take care of mental health even as we continue to be confined at home. Hrithik Roshan has been spending the lockdown with his ex-wife Sussanne Khan, who has temporarily moved in with him, to take care of their two sons Hrehaan and Hridhaan.

Talking about mental health, Hrithik has recently started learning piano, which he feels is "great for activating both sides of the brain".

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

It has been a while since we saw Esha Gupta on the celluloid, but she continues to scorch and scintillate with her no-holds-barred Instagram posts that can set your screens ablaze. She has always been unapologetic about her pictures and videos and believed in living life on her own terms.

And now, there's some good news, the beautiful lady has found love and that too all the way from Spain. She has taken to her Instagram account and written a post in Spanish that translates into- "I love you so much my love." The duo looks dapper in black and is twinning together and it seems they are truly made for each other.

Have a look at the post right here:

 

 

 

View this post on Instagram

te amo mucho mi amor ♥️

A post shared by Esha Gupta🌎 (@egupta) onApr 27, 2020 at 1:02am PDT

And a few days back, speaking to Hindustan Times about him, she revealed how he has been coping up during this quarantine. She said, "My boyfriend, who is in Spain, has been in isolation and has been taking all kinds of precautions. He has been telling me about the virus and somehow I was mentally prepared for this lockdown to happen. I'm talking to him every day and video calling to keep a check on his health. Honestly, he's the one who is calming for the otherwise hyper person that I am. He has this relaxing effect on me."

Well, given she has now spilled the beans on her love, can we expect more such gorgeous pictures, please!

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Ever since 83 was announced, the movie has been everything anyone can talk about. Tracing India’s historic win at the 1983 cricket World Cup, the movie was one of the most awaited films of this year. Due to current situations with the global pandemic, the movie, which was supposed to hit the screens on 10th April 2020 had to be pushed for a later date.

Trade is abuzz with high expectations from the film and estimated that ‘83’ would have collected upwards of 300 crores during its theatrical run. Hence, OTT platforms are offering a calculated price to the makers basis the estimated box office earnings for a direct digital release of the film.

However, when we texted Kabir to check on the veracity of this news, he confirmed that yes they have been offered a whopping sum and added that, "83 is a film that has been envisioned and made to be experienced on the big screen and we are ready to wait for things to get normal and then release it in cinemas."

Ranveer Singh will see playing the character of former world cup winning captain Kapil Dev and Deepika Padukone portraying the character of Kapil Dev’s wife Romi Dev.

Reliance Entertainment and Phantom Films present 83, a Kabir Khan Films Production. The movie is produced by Deepika Padukone, Kabir Khan, Vishnu Induri, Sajid Nadiadwala, Phantom Films, Reliance Entertainment and 83 Film Ltd. 83 is directed by Kabir Khan. A Reliance Entertainment and PVR Pictures release is slated to release in Hindi, Tamil & Telugu.

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"In all these years, we had not remained shut for even a day," says Nitin Desai, who closed the doors of ND Studio last month in the wake of the pandemic. At the time, a lavish set had been constructed for The Battle of Bhima Koregaon, a period drama featuring Arjun Rampal, and the Raigad fort recreated for a Marathi film. Desai tells mid-day that he has decided to forgo the rent of the sets standing unused at the Karjat studio.

"I am not the only one suffering losses at this point, the entire world is. So how can I expect them to pay the rent when everything has come to a standstill? I will also appeal to other studios to follow the same practice," he says, adding that despite the adverse conditions, he is continuing to pay his staff.

File photo of Panipat set created at ND Studio

The studio was handling several projects when the shutdown was announced. "We had created a huge battlefield and three villages for Arjun Rampal's film, and a haveli [palace] for a yet-untitled web show. Construction of huge sets was underway for two shows of Zee and Star," he adds."

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In a bid to amuse his fans with a "joke," actor Riteish Deshmukh on Sunday shared a humourous video of himself on Instagram. The video begins with Deshmukh sitting and looking at the camera while the background features voices of people asking the actor to crack one joke in Marathi.

 

 

 

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Ek Joke Saanga Na

A post shared by Riteish Deshmukh (@riteishd) onApr 27, 2020 at 5:36am PDT

"Ek Joke saanga na (please tell one joke)," the voice in the background said.

To which the 41-year-old actor politely refuses and tells people that he is a "celebrity" which makes people chuckle and leaves Deshmukh shocked. "Mi celebrity aaye (I am a celebrity)," responded Deshmukh.

The 'Housefull' actor has been quite active on social media ever since the lockdown was imposed in the country. He keeps posting TikTok videos featuring himself and his wife Genelia Deshmukh.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Sharing a doodle that said 'not all heroes wear capes,' actor Arjun Kapoor on Monday applauded the healthcare workers of the country who are fighting to combat COVID-19.

The 'Panipat' actor took to Twitter to share the doodle that featured a doctor, a nurse, and a medical staff taking care of an elderly person.

Bowing down to health workers today for their tremendous efforts to #FightCovid19! They work 24/7, through the year to deliver critical services like immunization across the country. Let’s stand #Together4Health and applaud their unwavering grit and determination! pic.twitter.com/9VkuE4kFYm

— arjunk26 (@arjunk26) April 27, 2020

The doodle was titled 'not all heroes wear capes' and an additional text on it read, 'Front-line health workers are working round the clock to keep us safe & healthy. True Heroes.'

Kapoor also urged others to stand up and applaud the healthcare workers for their unwavering determination.

"Bowing down to health workers today for their tremendous efforts to #FightCovid19! They work 24/7, through the year to deliver critical services like immunization across the country," he tweeted.

"Let's stand #Together4Health and applaud their unwavering grit and determination!" his tweet further read.

The '2 States' actor has been posting on social media to raise awareness about different issues related to the coronavirus ever since the crisis began in the country.

Kapoor has several times posted on social media asking people to not abandon their pets due to coronavirus and has also urged people to take all necessary precautions to prevent the spread of the highly contagious virus.

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Ben is Back

U/A: Drama
Director: Peter Hedges
Cast: Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton
Rating: 

A family drama that makes substance abuse look like the enemy of humanity it is, this Peter Hedges directed film dramatically shifts its moods from celebration to welcoming to fearful – all in the span of a few minutes.

When Ben(Lucas Hedges) shows up skulking around at his home driveway in a hooded wind-breaker the audience is unsure as to his antecedents. Then his mother Holly(Julia Roberts), his teenage sister Ivy(Kathryn Newton) and two half-siblings (Mia Fowler and Jakari Fraser) arrive home and we see the trepidation tinted welcome he receives. When his step-father Neal(Courtney B Vance) rushes home after receiving Ivy's urgent message, we understand there's further gravity to the situation.

Director Peter Hedges opens up his pages slowly allowing us to experience in some measure as to what the family is going through. Eventually it becomes imminently clear that Ben's return for Christmas from a rehab program he was recently inducted into, is unexpected and ill-advised.

Check out the trailer here:

While 'Ben is Back' is not exactly a dense suspense drama it draws up intensity from a construct that questions the integrity of it's lead character. Since it's a story about an addict and his struggle with addiction the question that haunts his family and himself is 'Will he use again?' He has sworn and swears again that he won't but he has lied before and given his track record should his family believe him? It's a tough ask. But then what about love, compassion and forgiveness? Can a mother really abandon her child to the vagaries of a habit that could eventually destroy him? The film deals with all these questions and more and the answers that it comes up with are neither easy nor universally applicable.

As Holly takes on the onus of keeping Ben in her sights, she uncovers secrets that test her mothering skills –throughout an increasingly harrowing day and night exposing her to an underbelly that she never opened her eyes to in the past.

There are times when the plotting seems contrived and questionable but by and large Peter Hedges does a good job plying a pathway that has hurdles at every turn. The dramatic tension though is not sharp enough and that's one of the reasons why you feel rather ambivalent about this tale. Performances are universally good though!

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Aquaman

U/A: Action, Adventure, Fantasy
Director: James Wan
Cast: Jason Momoa, Amber Heard, Patrick Wilson, Willem Dafoe, Nicole Kidman
Rating: 

Aquaman - a largely underwater flight of fancy, amounts to a herculean attempt by custodian Warner Bros. to right its wonky DC cinematic universe and it's success is moderate at best. A large part of the credit should necessarily go to the charismatic Jason Momoa( ex Baybatch ) who got promoted to this leading role after showing face in 2016's Batman v. Superman : Dawn of Justice and Justice League.

This superhero saga is mostly origin story myth building through fantasy VFX, so don't expect real characters, adherence to the laws of physics or conversations beyond the monosyllabic. In this film, anything goes - even a ring(chasm) of fire in the midst of a deep blue sea and an ocean of wealth under the Saharan desert. Reality rarely pokes its ugly head into this gamey underwater universe that heralds the dawn of a new King Arthur(Momoa), a half-breed(Human-Atlantean mix) who is expected to prove his worth against the might of his firmly ensconced younger half-brother Orm(Patrick Wilson).

Aquaman's tall-tale is embellished in Royal shenanigans, incorporates themes of environment pollution and engineers a war between the water world and the land world under the pretext of righting the wrongs of a selfish civilization. The attempt here is to create an underwater 'Lord of the Rings' but without the majesty, profundity or significance of that telling.

Check out the trailer here:

Making an oblique nod to 'Splash,' the film opens with Queen Atlanna (Nicole Kidman), fleeing Atlantis, getting washed ashore at Amnesty Bay, Massachusetts, meeting solitary lighthouse keeper (Temuera Morrison), falling in love and subsequently birthing the said, Arthur and then going right back to Atlantis- the underwater city, in order to save the lives of her loved ones. Punctuating the drama is Orm's attempts to amalgamate the seven wondrous oceanic kingdoms and become undisputed Ocean master. Vulko (Willem Dafoe), Princess Mera(Amber Heard) and to a lesser extent King Nereus (Dolph Lundgren) put a spoke in his wheel, so-to-speak.

The film has some stunning imagery but most of the action feels random and incoherent. The narrative is overlong in its desire to include every embellishment possible. There are a few engaging moments but the in-between humdrum is pretty much taxing. Weighed down by its watery excesses, the narrative feels terribly labored and over-done. James Wan ( with his Horror oeuvre) was probably not the right man for this DC recreation. He makes this watery epic a kitschy showboat instead of lending it acuity and memorability. This is a story of excess but even so, it's hard to resist the charms of the lead actors, their outlandish costumes and some wondrous aqua sequences.

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Zero

U/A: Comedy, Drama, Romance
Director: Anand L Rai
Cast: Shah Rukh Khan, Katrina Kaif, Anushka Sharma
Rating: 

For a couple of decades now, relentlessly citing exceptions like Swades (2004) and Chak De India (2007), viewers (and fans) of actor Shah Rukh Khan have often complained about how he plays SRK on screen, regardless of the script, which pretty much is designed around him playing himself, in some form or the other, anyway.

Alert to this obvious feedback, and with audiences, in general, upping its expectations, even from wholly star-driven pics—demanding a certain level of authenticity in stories regardless—you find SRK trying hard to up his own game. Which is great, of course. Raees (2017) and Fan (2016) are relatively good examples on that front. With Zero, as actor-producer, he appears to be trying a bit too hard, I suspect.

For one, this SRK film doesn't star SRK at all! He plays a Meeruthiya, uneducated 'bauna' (dwarf) Bauua Singh, obsessed with two women, almost simultaneously. Both ladies seem out of his reach. One's a fully celestial Bollywood heroine. That's Katrina Kaif. Tells you a lot about this film that she comes across as by far the most credible character around—a heart-broken drunk, dumped by a certain superstar with the surname Kapoor, who "pretends to be a misunderstood, shy type, but is actually a full-on ch*****."

Check out the trailer here:

The other woman (Anushka Sharma), strangely modeled on Stephen Hawking, in a high-tech wheelchair, her mouth contorted, wrist twisted and shaking, is a space scientist. She meets the vertically challenged dude through an odd, offline version of a matrimonial site. What she likes about him is that he can overlook her disabilities and see her as the person she is, rather than somebody one must simply sympathise with.

There is much banter between the two. This is tricky stuff. I understand that all humour is at the expense of some person/group or the other, and we mustn't get all too sensitive about such matters. But I just felt slightly discomfited throughout—mostly in anticipation of a poor joke, punching downwards, rather than one that actually occurs (expect tonnes of think pieces on the web soon though!).

As a viewer, you are rarely made to look beyond the fact that she suffers from cerebral palsy. More so, that he's about a foot shorter than usual, a man-child at the centre of this film— in his late 30s, wholly jobless bloke, blowing up his father's money. You can't tell if he's a duffer or just a dwarf. As if the two were even vaguely related. He is supposed to be a die-hard romantic. Your heart must melt for this simpleton still.

It's hard, if not impossible, to feel anything for such a parody of a person, as Zero jerkily jostles between heartland, rustic realism (Aanand L Rai's Tanu Weds Manu), and a far-out romantic fantasy, vaguely along the lines of SRK's wonderfully sorted Om Shanti Om (2007), also partly set in show-biz. You're in fact bored rather than bothered by all the travels on screen.

The only take-away is how tough it must've been to pull this off. Which is true for films of this massive scale—regardless of the emotional payoff. The VFX work, cutting down SRK's size, is by itself a work of art. And that's just a fraction of the craft and cost involved in a picture perennially on a flight of imagination—whether the penny drops, or not.

Guess it'd be impossible for filmmakers to attempt a leap of faith so high, without quite convincing themselves that they're on to a masterpiece. One hopes (for them), others feel so too. Clearly, I didn't.

Also Read: Zero Movie Interview: Shah Rukh Khan, Katrina Kaif And Anushka Sharma Reveal All

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Simmba
Director: Rohit Shetty
Actors: Ranveer Singh, Sara Ali Khan, Ashutosh Rana
Rating: 

With this film, a super-star is born. Why would one risk this over-statement? Because super-stars in Bollywood, or in the Indian movie context, have remained, for decades, the most apt equivalent to Hollywood super-heroes.

They come with little or no back-story. As in the case of Simmba - being an orphan is good enough. The front-story, as it were, is neatly split between the hero, and the villain, along with a prologue, epilogue, heroine, comedian, extras, and the all-important 'takiya-kalaam' (stock refrain): "Tell me something I don't know!" The motivation, like with super-hero flicks, is rather rudimentary. Saving a girl is as good as repeatedly saving the world!

What matters is how the super-star, by sheer dint of his vigorous personality - where you can't distinguish between the actor and character - carries along an entire movie, and indeed the audience, on his strong shoulders alone.

Once the image is set, the penny drops, and while the going is good, the super-star on screen is good enough to ensure audiences in theatres. And there's got to be a reason why no star ever since the '90s, in a real sense, has been able to convincingly play this part that, I suspect, is the hardest to hit home with, anyway.

Ranveer Singh does just that. And how! Part Govinda, from Raja Babu type pictures in the '90s, part Anil Kapoor from Ram Lakhan in the '80s, but wholly holding his own in a typically Rohit Shetty action-entertainer, Singh adds tremendous credibility to a character that had begun to tire us over time.

For one, given his robust résumé (if you only compare this performance to the anti-hero Alauddin Khilji's in Padmaavat earlier this year), you know he isn't casually reprising a role, given a captive audience (that '90s super-stars had begun to). He puts in as much effort into Simmba as he might into a Bajirao Mastani, say, mastering the Marathi twang (without quite coming across as a parody of Nana Patekar); killing it softly with well-written one-liners; setting the dance floor on
fire; romancing like a dude; doing action, like a proper, desi hero!

You fall for Inspector Sangram Bhalerao (Simmba)-a cartoonish, corrupt cop, who wants to eventually right the society's wrongs-essentially, because, you fall for the stupendous Singh on steroids. Every scene works, because he does; and vice versa. The net result is a movie that, within the same space, seems better than Ajay Devgn's Singham (2011). But for the middling soundtrack, it would've been better than Salman Khan's Dabangg (2010).

Either way, what you won't go looking for is the picture's plot, based on the Telugu potboiler Temper (2015). Because you already know what to expect: Singh as a hero. Sonu Sood as a villain. Villain ke haraami brothers. Hero ki abla nari sister. And the rape, and the revenge drama, that follow.

I'm unsure if one adequately appreciates how hard, bordering on the near impossible, it is to engagingly pull off a masala-melodrama such as this. Shetty knows more than a thing or two about this timeless genre. Yet, this may well be one of his rare movies where the connoisseur and the crackling masses are most likely to seamlessly converge.

As an audience, the only way to know if a film of this sort is working (for you), is when you find yourself (sometimes guiltily, but mostly in a carefree sort of way) smiling, responding, and along with a packed theatre, reacting to shenanigans on screen-whether they entirely make sense or not ain't the point.

The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.

This only brings back strong memories of large single-screen cinemas - on the verge of extinction - with people on both cheap and super-expensive seats, sharing entertainment as a common, tribal experience. That's where you should go for this. As if on cue, to Ajay Devgn walks in as Singham. As does Akshay Kumar, announcing his next film cop-flick with Shetty, Sooryavanshi (2019). You might think this is meant to be a Ranveer starrer piggy-backing on '90s super-stars - inhabiting the same Marvel-like super-hero, cinematic universe. Look at him. I think it was the other way round!

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Mary Poppins Returns

U/A: Comedy, Family, Fantasy
Director: Rob Marshall
Cast: Emily Blunt, Lin-Manuel Miranda, Angela Lansbury, Ben Whishaw, Emily Mortimer
Rating: 

Disney drums up age-old magic by picking up the threads of an unforgettable original which had the unassailable diva Julie Andrews mesmerize way back in 1964. This time around Emily Blunt essays the all-important role of the magical nanny whose job is to put things right in the Banks’ siblings Michael(Ben Whishaw) and Jane’s (Emily Mortimer)now adult world just as she did when they were kids – with Lin-Manuel Miranda doing a Dick Van Dyke in this Rob Marshall sequel.

The setting is 1930’s London, Michael is a widower with three lovely kids and his sister Jane is an activist who appears to have lost out on love. Burdened by debt and threatened by the bank, Michael can barely keep his head up when Mary Poppins flies into their lives and makes all the difference!

Check out the trailer here:

Director Rob Marshall manages to tie-in to the original with enchanting ease - spelling forth a magical 130 minutes of music and fantasy that keeps you reminiscing while laying out an entirely fresh scenario that’s just as trippy as the original. Marshall reteams with cinematographer Dion Beebe, to give the narrative an inveigling widescreen luster, with production designer John Myhre and costume designer Sandy Powell chipping in with their nostalgia imbuing contributions. The pre-war 1930s setting is superbly presented just as the bath-time routine, excursion in the park and journey into an all-too brittle adventure, rekindle the vivacity and colorfulness of yore. It’s a wondrous amalgamation of ideas from the past and present, merging together in synchronicity of technique and wonder that is entirely enthralling.

Also Read: Emily Blunt Got Scared With Mary Poppins Returns Offer

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The Mule
Director: Clint Eastwood
Cast: Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy Garcia, Alison Eastwood, Taissa Farmiga, Ignacio Serricchio, Loren Dean, Eugene Cordero, Robert LaSardo
Rating:

Eighty-eight-year-old Clint Eastwood’s 37th feature has him directing and acting in a drama about an elderly man whose late-life drug running — egged on by desperate circumstances — becomes a tool for heavy rumination regarding conscience, morality, and reclamation. Nick Schenk (of Gran Torino fame) fashions this screenplay inspired by the New York Times Magazine article The Sinaloa Cartel’s 90-Year-Old Drug Mule, about a true event, written by Sam Dolnick.

The original mule was Leo Sharp, a World War II veteran and great-grandfather. But, for this film, Eastwood and Schenk take some creative liberties to present a sensibility that is more Eastwood than the real-life event would oblige. The experience delineates the nearly destitute senior Earl Stone’s (Eastwood) tryst with criminality conspired by an alienated family construct, and a flagging business. Earl was never there when he was needed by his family, ex-wife Mary (Dianne Wiest) and, especially, daughter Iris (Alison Eastwood). Their rejection of him when he runs out of money may be painful to watch, but it is fairly justified in the schema of broken relationships damaged by ego trips.

Eastwood, of course, lives the part. He fits the role, but as far as the fan-image goes, he seems frailer and less imposing than he did in his last cinema outing. But that physical deterioration doesn’t take anything away from the manner in which he has constructed this slow-burning, contemplative, engaging, humorous tale, which appears to be somewhat autobiographical in the manner in which it deals with relationships that are central to the story here.

We can see that Federal agents, led by a DEA Special Agent in charge (Laurence Fishburne), and newbie Colin Bates (Bradley Cooper), trying to nail some cartel drug runners out West, are eventually going to come across this unsuspicious drug-runner. But the film is not about that cat-and-mouse chase as much as it is about a conscience finally coming awake, and Earl making robust efforts to atone for his past mistakes.

Eastwood’s mule seems to bask in the freedom that easy money brings him, and appears to be unaware of the hellish depths that the murderous cartels would reach — and that’s precisely how the film plays out. With every film, like in this one too, Eastwood’s politics also comes out, loud-and-clear. He may be intriguing as a person, but not always politically correct as an actor-director voicing his personal world-view.

Earl’s eventual redemption also comes a little too easy, given the havoc he may have engineered by his flirting with the cartel. The tone shifts are jerky, the narrative veers to the ponderous and the experience doesn’t come across as entirely fulfilling — even though the cinematography and minimalistic appurtenances lend shadowy depth to the experience.

The supporting characters don’t get much screen-time, even though they are integral to the plotting. Eastwood hogs the show here. His apparent disconnect with the consequences relating to his actions is a hurdle that’s difficult to overcome. And that’s also because Eastwood’s image still manages to over-power his latter-life performances. As an audience, we are more likely to be distraught over his real-life physical deterioration than we are about the reel life character’s disempowerment.

Watch The Mule Trailer

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Uri: The Surgical Strike
U/A: Action, Drama
Cast: Vicky Kaushal, Yami Gautam, Paresh Rawal
Director: Aditya Dhar
Rating: 

Like with several others, you may not find a single bloodthirsty, jingoistic-militaristic bone in my body. And yet, there's a scene in this film, focused on a little girl, whose father, an officer, has just died in the recent attacks on the Army base in Uri. She walks up to the casket, surrounded by soldiers in attention, at his state funeral.

The moment freezes for a second. The little child, rather unexpectedly, exults the regiment's war cry. Soldiers instantly respond. Emotions naturally heighten. It's hard not to feel a lump in your throat.

This is the sort of visceral 'josh' that the film organically excites, which makes it work, almost through and through. And yet, for a movie wholly centred on a mission and the military, it is a rare desi one—Sankalp Reddy's under-rated The Ghazi Attack (2017), being another recent exception—that never meanders from the actual minefield: Not a minute wasted on sundry peripherals, songs, love-story, and the like, that most Hindi war films (Border, LOC Kargil, Lakshya included) have had to resort to, in order to fit into a more mainstream, Bollywood format.

But, first, let's settle the apprehension that many might rightly share: Is this a propaganda picture? In so much as it places to the extreme fore the might and valour of unsung heroes of Indian Army, who risk their lives in covert operations, details of which, for reasons of state secrecy, go unreported? Sure. And that's pretty much true for all patriotic, war movies, regardless.

But, no: Is it a propaganda film for the BJP government, few months before the general elections, seeking credit for a military operation initiated/executed under its watch? Well, the magnanimous Prime Minister modeled on Narendra Modi (Rajit Kapur) is very much omnipresent. Which, going by trailers and posters of late, he's likely to be, on the big screen, over the following months, with several films based on/around him—bit like a super-hero from the Marvel/DC universe!

The PM is well represented along with his cabinet, given lookalikes of Parrikar, Jaitley, Rajnath Singh, and the hand-picked National Security Advisor Ajit Doval, played by BJP MP Paresh Rawal, as a shrewd, sharp sleuth, right at the centre of the high-table, leading the military operation from a snazzy war-room.

Check out the trailer here:

Whether this story "based on true events," liberally mixing fact with fiction, has been actively sponsored by the government or not; can tell you this, they will like what they see. Folk on the Pakistani side though come across as total 'phateechars', ever willing to sell their soul and their nation's secrets. Either way, what the endorsement from the Indian Army (its publicity wing is prominently credited) evidently earns for the pic is incredible access to top-notch military hardware, hitherto unseen in the history of Hindi films.

Supremely competent first-time director Aditya Dhar uses these weapons—sophisticated machine guns, grenades, rocket launchers, top-grade fighter aircraft—to hit home with a winning plot, over two hours, 10 minutes of stunningly shot (Mitesh Mirchandani), non-stop, military-action drama, packed with pyrotechnics that appear authentic, world-class, technically kickass.

Background score (Shashwat Sachdev) is pitch-perfect. Some of the combat sequences (Stefan Richter) are sensational. Sparks fly, quite literally; even as sentiments are firmly in place, to keep you engaged with the characters, and their emotional motivations.

Yeah, it's hard to evoke both. No better actor to lead this charge than the fully fired-up Vicky Kaushal (Raazi, Sanju, Love Per Square Foot, Manmarziyaan, Lust Stories)—bulked up like a sniper, menacingly calm as a military mind—inspiring his peers (Yami Gautam, Kriti Kulhari etc) in the film, and patrons in the theatre, with an infectious energy that is impossible to resist. Kaushal's had a phenomenal 2018. Clearly, the dream run continues.

The film is primarily set in 2016. The basic premise is known. It concerns a top-secret, low-intensity, shock-and-awe assault, or a surgical strike, on hideouts in Pak-occupied Kashmir, responsible for terror attacks across the border—more specifically, by four militants, allegedly of the group Jaish-e-Mohammed, on the Indian Army brigade headquarters in Uri, near the Line of Control, less than a fortnight before.

Very little—next to nothing—is known about these 'surgical strikes'. How does this revenge operation pan out in the picture, then? Given multiple Abbottabads being mounted, a lot like a desi Zero Dark Thirty (2012)—Katherine Bigelow's brilliant docu-drama detailing capture of Osama bin Laden. As compliments go, that's as huge as it gets. No?

Also Read: Watch video: Vicky Kaushal gives us a sneak peek into his prep for Uri

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The Second Act

U/A: Comedy, Romance
Director: Peter Segal
Cast: Jennifer Lopez, Leah Remini, Vanessa Hudgens
Rating: 

Jennifer Lopez probably fancies herself as a 'Working Girl' and that explains her producing and acting in a film that has shades of the Oscar winner mashed up with done to death romcom elements. The script credited to Elaine Goldsmith-Thomas and Justin Zackham transforms an uneducated, street-smart 40-year-old woman, Maya(Jennifer Lopez) into a winning corporate consultant – and to get there she jumps the truth about her background, gets a resume makeover and wins the confidence of the head honcho. The boss (Treat Williams) sets up two teams, one lead by Maya and the safer one led by his daughter, Zoe (Vanessa Hudgens). But no prizes for guessing who won that battle. The usual alienation from old friends is followed by a redemptive effort at truth-telling.

Peter Segal's Second Act tries to do too much. The impetus for Maya's cheat makeover comes from professional rejection - We meet Maya the day she loses out on a big promotion at Value Shop, because of her lack of an MBA and a dopey idiot gets it because he does. We see Maya reconciling with the daughter she gave up for adoption and then losing her again for a bit before they reconcile again. The same happens with her friends and colleagues from her former workplace. They are the ones who support and encourage her (to hilarious results sometimes). Corporate skulduggery notwithstanding there's also the romantic interest whom she failed to confide in. It's all too complicated rather than complex.

Check out the trailer here:

The few times the film manages to perk you up involves an impromptu dance with Maya leading her office nemesis (Freddie Stroma) onto the dance floor in an attempt to sideswipe his attempt to expose her. And another time you feel the passion is when she and her girlfriends (Remini, Lacreta, Dierdre Friel) do a "Push it REAL good" dancing sing along. The writing is not without its frivolous light-hearted banter but much of it is lost in the attempt to paint Maya in a gratifying light. This romcom is fairly bearable but not exactly likeable.

Also Read: Jennifer Lopez explains why she did Second Act

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The Accidental Prime Minister
U: Biography, drama
Dir: Vijay Gutte
Cast: Anupam Kher, Akshaye Khanna
Rating:

Given the imagery in the trailer, it is impossible to walk into The Accidental Prime Minister anticipating anything. The intent of its makers is evident: its strategic release, months prior to the election, solidifies its positioning as a propaganda film. Films are meant to have fodder for debate and discussion. And the topic of discussion here, I propose, is how Mayank Tewari, the writer of Newton (one of India’s most balanced political films) and Hansal Mehta (Shahid) came up with something as abhorrent as this.

Probably hoping to pitch this as India’s answer to House Of Cards (HOC), the film’s narrative is too incoherent to make a political statement, let alone start a dialogue. HOC, of course, made with tremendous gumption, never has a political bias. It merely mirrors the goings-on behind the closed doors of the White House. Based on the book by Sanjaya Baru, this movie attempts to make sense of power games in the corridors of the coveted bungalow No. 7, Race Course Road (the official residence of PMO). But there’s no escaping the fact that it can only pass as a run-down, Made In China version of HOC.

If at all the idea was to shame and embarrass the Congress party, the writing here lacks the desired punch. The onus of shaping the material lies in the hands of the director, and Vijay Gutte is visibly inept. Of course, the lofty and on-point casting of Akshaye Khanna as Baru and Anupam Kher as PM Dr Manmohan Singh, salvages the situation considerably, but there’s no saving the film from shoddy direction.

Baru’s book walks the tightrope carefully, making ground-breaking political revelations, but never reducing Dr Singh to a laughable figure. Even his worst critics would agree, Singh was a man of poise. On Gutte’s insistence (or so I would like to believe) Kher turns Singh into a mute cartoon, who deserves to be pitied. It almost feels like the makers want to mock Singh — mimic his voice, slouch his gait. Baru had carefully carved Singh as a fiercely loyal man, standing strong on his ideals; one who is manipulated by the Gandhis (Sonia and Rahul). Gutte never focuses on the vulnerable equations between Singh and the Gandhi family.

He, in fact, allows Khanna to get disturbingly Frank Underwood-ish, turning up the dark humour in every third sentence. Khanna is great at what he does, but he makes Baru seem more like a saffron loyalist, not a Congress insider. Gutte takes us through the hallmarks of the Congress government, from the nuclear deal to the 2G scam, in a news bulletin, decade roundup-sort of a fashion, creating the build up for the film’s Singham (PM Modi). Do we know how Singh felt through it all? That’s for another film. There’s enough to laugh about in this offering, but the joke here is that while Hollywood continues to make great content, we are still nitpicking and name-calling.

Watch The Accidental Prime Minister Trailer

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Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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Replicas
U/A: Crime, Mystery, Sci-Fi
Director: Jeffrey Nachmanoff
Cast: Keanu Reeves, Thomas Middleditch, Alice Eve, John Ortiz, Emjay Anthony
Rating: 

The bland, expressionless Keanu Reeves as a scientist is a hard sell for even the most gifted filmmaker so one can't understand why he was chosen to lead the cast as an obsessive scientist wanting to clone his family back to life after a drowning accident. And that's not the only bad choice here. The story itself never develops beyond the perfunctory -allowing for quick jump forwards into sci-fi territory that doesn't appear conclusive in the least. The script appears to be written by novices who have little idea about the subject matter. Neither the Director, the tech team nor the cast seem to believe in this story. So they all appear to be playing a game of make-believe that only they enjoy. For the viewer the experience is sheer tedium.

Playing God in a high tech world is not a new concept but the treatment, tone and momentum must be good enough to gain attachment and believability. There's no such thing here. At no point are we ensnared by Will Foster's (Keanu Reeves) need to bring back his family from the dead. Neither his guilt nor his love for them are established here. And his corralling of his lab partner Ed (Thomas Middleditch) for support, is also not believable in the least. The talk of neural maps, synthetic brain, algorithms and consciousness sounds like mumbo-jumbo in such an unbelievable set-up – even when it's done in a futuristic facility called Bionyne.

Check out the trailer here:

When Will persuades his friend Ed to dispose the bodies of his dead family members it sounds insane and when he pretends to be his kids and responds to text messages from their friends it becomes all the more ridiculous. We never see his grief or experience his pain. And that's also because Keanu Reeves doesn't go beyond harried and lost in terms of expression. Both writer Chad St. John and director Jeffrey Nachmanoff don't appear to have figured out what exactly they wanted to convey here. They just run with the tide and make a mess of it. There's no style or mood to hold this sort of idea through. Nachmanoff hits the bland and straightforward route – on e that leaves the audience totally distended and discontent. This is the kind of hare-brained unbelievable stuff you wouldn't waste your hard-earned money on!

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Glass

U/A: Drama, Mystery, Sci-Fi
Director: M. Night Shyamalan
Cast: Sarah Paulson, Bruce Willis, James McAvoy
Rating: 

Shyamalan’s earliest films (The Sixth Sense, Unbreakable, Signs) were brilliant, they intrigued, shocked and entertained all at the same time. The same cannot be said about the films that came later. The big budget ones especially were all jumbled up and schlocky. It felt as though the director never really achieved his vision. ‘Glass’ is a far better effort in terms of visual context but it fails on cohesion and lucidity – especially in the third act dominated by Shyamalan’s signature twists.

Glass, a sort of sequel to both Unbreakable and Split, spends its two hours plus without a strong story to tell. It is every bit as inconceivable and snaky a film as his worst but it still has a psychological depth that could have amounted to much more - if only the director had been a little more focussed. There’s so much he is wanting to say that it all gets lost in the confusion and incoherence brought on by a lack of emphasis.

Glass opens with Dunn(Willis) tracking down Split's villain, Kevin Wendell Crumb aka 'The Horde' (James McAvoy), a serial killer suffering from multiple personality disorder who has been preying on girls in the Philadelphia area. After some visceral action Dunn and Crumb are captured and taken to a secret wing of a psychiatric hospital also housing Mister Glass(Jackson) – to be studied by Dr. Ellie Staple (Sarah Paulson), a psychiatrist obsessed with decoding the phenomenon of men who believe themselves to possess the powers of comic book characters.

Check out the trailer here:

This is an indie film (in partnership with Blumhouse)with no big studio backing it so there are budget constraints which Shyamalan could have overcome by running a tighter ship. Shyamalan manages to get close to poignant and memorable but the third act(rather threadbare) pulls you off that track all the way through. The twists don’t make much sense and in fact renders the entire work rather directionless.

The build-up is pretty good even though the action is all visual, internalised and verbose but the third and final act fails to make something out of that. The director and DP Michael Gioulakis manage to compose some fascinating and striking visual mayhem but it doesn’t amount to anything powerful. If you followed ‘Unbreakable’ and ‘Split’ then there is a chance that you might cotton on to Shyamalan’s wavelength but for a large part of the audience this is going to be a film without a strong sense of purpose.

James McAvoy is simply the best thing about this movie. His enthusiasm and effort in playing out multiple personalities is extraordinary. Jackson wakes up from his stupor a little late and loses out on creating an impact while Willis looks on strategically- the thing he does best I guess. This is at best a baffling and inconsistent exercise in cinema!

Also Read: James McAvoy on Glass co-star Bruce Willis: He is most chilled dude

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Manikarnika: The Queen Of Jhansi
U/A: Biography
Director: Krishna Jagarlamudi, Kangana Ranaut
Cast: Kangana Ranaut, Danny Denzongpa, Ankita Lokhande
Rating:

As a film, this might seem a bit too ultra-patriotic/nationalistic for the fact that it's set in the mid 1800s, when the idea of India itself wasn't as concrete, let alone the concept of "Swarajya" (used here often), which was first popularly coined by Lokmanya Tilak, only born in 1856. The film itself though, right in its opening disclaimer, washes its hands of any pretense towards complete, uncontestable historical accuracy, which is only for the better. Helps you view it as a fabulous legend/fable first.

Be that as it may, the fact that the Indian Revolt/Rebellion of 1857, that began with the Sepoy mutiny, with Mangal Pandey firing the first shot, is widely considered the First War of Indian Independence, among Indians, can't be denied either. At the centre of this piece though, with absolutely no other players even in the periphery, understandably, is Rani Lakshmibai, born Manikarnika, a bibliophile 'brahmin' girl, raised by the Peshwa as a warrior, who eventually takes over as the Queen of Jhansi (currently in Uttar Pradesh). Yes, this is a big-budget, wholly star-driven, action-packed, period picture. Except the star is female, which is rare enough. Even if you consider Sanjay Leela Bhansali's Padmaavat (or Padmavati), where Deepika Padukone played the eponymous character all right, but the film focused on Ranveer Singh as the antagonist Alauddin Khilji far more. Speaking of which, this is the sort of passion project that Bhansali, as master of magnificence (Padmaavat, Bajirao Mastani, Ram-Leela), has excelled in to a point that subsequently similar works, by most other craftsmen, are likely to somewhat pale in contrast. And so while the inspirations here are obvious, it might be unfair to compare still. This holds just as true for any allusion to SS Rajamouli's astoundingly massive Baahubali, given that the screenwriter (Vijayendra Prasad) is the same.

For, the story here has to be enjoyed for its own worth. It relates to a legend that pretty much remains unsurpassed in Indian history—of a woman, who lost her husband, the king, and her little son, the heir, giving way to the British to take over her kingdom, with help of locals (as they almost always did), and a 'doctrine of lapse', which applied to heirless princely states.

Instead of wallowing in widowhood, as per tradition, the Queen got on the white horse-back, and led a full-frontal attack against the mighty British, all by herself, holding fort until the point that she could, and then creating alliances, organizing her brigade, to go at the Brits all over again. Her valour is a common, modern metaphor. You see a fearless woman, and inevitably go: "Aa gayi Jhansi ki Rani!"

Frankly, as a public figure from Bombay films, I can't imagine anybody as naturally earning that sobriquet as Kangana Ranaut. Dainty but fierce, Ranaut plays Rani Lakshmibai with the ferocity that suits her character best. She leads the charge not just as an actor, but also as director, the baton she took over midway through the making of this film. One can't help but conjecture if there are really two separate movies here, given that two directors were helming it at different times.

Well, there are two huge battle sequences in the picture. And one could argue that the second one, the climax, in its tone and shot-taking, looks considerably different from the first. But then, that could just be me as audience noticing, because consciously searching. Either way, there is nothing to hugely fault this film on technical competence, and indeed the scale at which it's been mounted.

Watch Manikarnika: The Queen Of Jhansi Trailer

The sets are grand. Extras, both Brits and desis, fill up the screen. War scenes look reasonably authentic. Mortal combats appear real. Riding through the artillery lined-up on either end is Manikarnika with her sword, the ultimate symbol of female power, from around the time that feminism as a word had only but been coined (in the West). It is an aspect that's thankfully quite dialed -down here. You can see it. You don't need to be incessantly told.

We've all read about Rani Lakshmibai in middle-school history. But we remember her best from the Allahabadi poet Subhadra Kumari Chauhan's long poem with the famous descriptor, 'Bundele har bole ki muh, humne suni kahani thi. Khoob ladi mardani, who toh Jhansi wali Rani thi.' A genuine, soul-stirring tribute to her phenomenal heroism can at best hope to come close to Chauhan's immortal lines. Yes, this one does.

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