Playful, dizzying, cloud-busting and, perhaps more so than ever before, serious.

A fourth album of successful progression from metallers with grander designs than most.

Knockout stuff that suggests Collins’ knack for melody remains intact.

Eleven tracks of heavy metal excellence from the celebrated Norwegian sextet.

The central focus of this recording is music inspired by and performed during a concert tour that Q’d Up was fortunate to undertake to five Russian cities during the fall of 2017. With the help and work of Artem Chirkov, one of Eric’s close bass colleagues in St. Petersburg, a two-w..

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RISE, MY SOUL is the third full length album the BYU Women’s Chorus has recorded under the direction of Jean Applonie. The album features songs that assure and nourish the soul, and affirm faith, hope, and love.

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Check out the vinyl version of this album HERE. 

This album is a fresh, fun, phenomenal, statement that VP is back and better than ever. Everything about this record is world–..

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Nanci Griffith: still hard to resist, still a conundrum.

An exquisite-sounding live recording from the Mavericks frontman.

A timeless, anachronistic debut record from the double-Grammy-winners.

The Nashville singer is due some rather larger crowds based on this great fourth LP.

Nichols’ latest LP is another serving of not-quite-as-you-know-it country.

Simple virtues and matchless instinct from a legend at 79.

Radio-friendly country fare, exceptionally produced but lacking originality.

Watkins has created a sound that grittily avoids tired country clichés.

Unlikely to woo passers-by, but long-time admirers will adore Carpenter’s latest.

Stadium-swelling country abounds on Chesney’s 15th studio album.

LeBlanc’s second album presents proof positive that break-ups aren’t all bad.

Calexico have lost none of their power to evoke and enthral.

North Carolina outfit’s seventh LP seduces the listener from its first track.

Old-time stylists make a fiery bid for the spotlight.

A nice little stocking filler for the country lovin' type.

A streak of warm-hearted defiance courses through Kristofferson’s 28th album.

Their first album for 10 years is more than a purely perfunctory comeback.

A simple and direct, and certainly endearing sixth set from the Welshman.

If Rose represents the future of American country music, it’s in safe hands.

Smiles and tears from country friends reunited.

Album four from one of folk’s 21st century success stories.

Those already under this band’s wingspan are sure to be richly rewarded.

Tilston eloquently explores the relationship between technology and the human condition.

A Rusby album with a different hue… and none the worse for that.

Artful simplicity from the couple in the cottage next door.

A concept album about the 17th century witch trials of Essex? Yes please.

Mason’s third album finds him exploring fresh sonic dimensions.

An artist harder to define, and more brilliant, than you might imagine.

A spirited album converting life’s sadder aspects into music graced with humour and joy.

British folk ambassador returns with a fully charged electric set.

A fifth solo album somewhat unbalanced by inappropriate guest turns.

Disciples of tradition return with their best offering yet.

Folk collective reaps quirky rewards from genre-crossing.

With playing so deft and fluid, it’s a pleasure to have these two as guides.

Traditional folk arrangements redrawn in a refreshingly sophisticated style.

A refreshingly varied voyage, with Tom Waits, Beth Orton and Patti Smith amongst the crew.

A beautiful updating of traditional British folk music.

An intriguing and committed new set, but one of niche appeal.

Bragg conveys truths about his home country like few other songwriters can.

A sense of love and lightness lingers after this eighth album has run its course.

Tranquillity triumphs on the erudite Canadian’s latest album.

A lovely piece of programming, tenderly performed.

Bělohlávek and the BBC SO make a powerful case for this intense work.