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The Power of Virtual Distance: A Guide to Productivity and Happiness in the Age of Remote Work, 2nd Edition


 

This revised second edition presents 15 years of data on Virtual Distance metrics and their predictive impact on organizational success factors ¯shedding new light on how to correct for communication challenges that often show up as a foggy set of digital disconnects where the vitality of the virtual workforce often gets lost in transmission.

This still-evolving Digital Age conundrum continues to present new complications. The rise of remote work which



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The Game of Life and How to Play It: The Self-help Classic


 

The classic self-help guide, full of timeless wisdom

Florence Scovel Shinn’s The Game of Life and How to Play It first appeared in bookstores in 1925 and is now considered a classic in the self-help genre. The author’s insights into achieving meaning, happiness and success are just as relevant and effective today as they were nearly a century ago, hence its reissue as part of the exciting Capstone Classics line.



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Positively Geared: How to Build a Multi-million Dollar Property Portfolio from a $40K Deposit


 
Fast-track your financial dreams with this Aussie property investment guide for the 2020s

Positively Geared offers a powerful approach for clever property investment, empowering readers to make money when they buy properties, not just when you sell them. This sustainable approach to wealth building will equip you with the knowledge, skills and insider strategies to not only build a diverse property portfolio, but also maintain a portfolio that achieves


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Asset Liability Management Optimisation: A Practitioner's Guide to Balance Sheet Management and Remodelling


 

An advanced method for financial institutions to optimize Asset Liability Management for maximized return and minimized risk

Financial institutions today are facing daunting regulatory and economic challenges. As they manage bank regulation and competition, institutions are also optimizing their Asset Liability Management (ALM) operations. The function of the ALM unit today goes beyond risk management related to the banking book into managing regulatory



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Be Less Zombie: How great companies create dynamic innovation, fearless leadership and passionate people


 

Make innovation more remarkable, inevitable and profitable

'Zombie’ companies cling to what kills them: Obsolete and frustrating ways of working that crush innovation and drain people’s motivation.

Be Less Zombie distils 10 years of field research amongst some of the world’s leading innovators into a pragmatic, actionable toolkit. Designed for managers who need more remarkable innovation with repeatable, scalable approaches, it shows readers how to:



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The New Rules of Marketing and PR: How to Use Content Marketing, Podcasting, Social Media, AI, Live Video, and Newsjacking to Reach Buyers Directly, 7th Edition


 

The seventh edition of the pioneering guide to generating attention for your idea or business, packed with new and updated information

In the Digital Age, marketing tactics seem to change on a day-to-day basis. As the ways we communicate continue to evolve, keeping pace with the latest trends in social media, the newest online videos, the latest mobile apps, and all the other high-tech influences can seem an almost impossible task. How can you keep



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University of Georgia Press announces new literary nonfiction series


The University of Georgia Press is pleased to announce Crux: The Georgia Series in Literary Nonfiction. Edited by John Griswold, the series aims to publish two to four new titles annually.

Named for intersections, and for the heart of the matter, this series will publish literary nonfiction by diverse writers working in a variety of modes, including personal and lyric essay, memoir, cultural meditation, and literary journalism. Books are intended for general readers, including writers, teachers of writing, and students, and will be both intelligent and accessible. Engagement with the world, dedication to craft, precision, and playfulness with form and language are valued. As the series develops, it will include non-American writers and experiences.

Griswold is an assistant professor in the MFA program at McNeese State University, Lake Charles, Louisiana. He is the author of A Democracy of Ghosts; Herrin: The Brief History of an Infamous American City; and Pirates You Don’t Know, and Other Adventures in the Examined Life: Collected Essays (Georgia, 2014). He has written extensively (as Oronte Churm) at Inside Higher Ed and McSweeney’s Internet Tendency.

“I’m gratified to be part of this new publishing opportunity,” Griswold says. “The series will build on UGA Press’s success and reputation publishing the Association of Writers & Writing Programs (AWP) Creative Nonfiction contest winners since 1986, as well as nonfiction anthologies and craft books. Georgia combines the intellectual reputation of a major university press with savvy promotion in the digital age, and we intend to reach smart readers who like to be entertained, in the widest sense.”

The inaugural book in the series will be published in October 2015. My Unsentimental Education, a memoir by Debra Monroe (On the Outskirts of Normal), offers a smart and lyrical take on the isolation that occurs when crossing class barriers in pursuit of the life of the mind.

Press director Lisa Bayer adds, “Creative nonfiction as a genre is experiencing an unprecedented period of growth and interest—a bit of a golden age. Georgia’s strong literary legacy, combined with the richness of the field, positions us perfectly to make a visible mark.”

The series advisory board includes Dan Gunn, Pam Houston, Phillip Lopate, Dinty W. Moore, Lia Purpura, Patricia Smith, and Ned Stuckey-French.

For more information:
- contact John Griswold at crux.series@gmail.com
- visit the Crux series page at the University of Georgia Press 
- download a jpeg of the logo
- online submissions manager and submission guidelines available here




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Call for submissions: the Flannery O'Connor Award for Short Fiction 2015 competition

Announcing the Flannery O'Connor Award for Short Fiction 2015 competition! For a list of previous winners, please visit here.

Dates for submission: Manuscripts may be submitted between 9:00 a.m. on April 1 and 5:00 p.m. on May 31. Winners will be announced by late summer.

We only accept electronic submissions.

Our online submissions manager is available here: georgiapress.submishmash.com/submit

Tech support for using the submissions manager is available at 1-406-480-6274. The $30 entry fee can be paid online via credit card or PayPal.

This year's judges are Hugh Sheehy, Karin Lin-Greenberg, Anjanette Delgado, Kristen Nichols, and Sandra Muñoz.

Selection process: Each of the four contest judges reads approximately one-fourth of the manuscripts submitted to the competition, with a fifth judge available if needed based on the total number of submissions. Judges select seven to ten finalists each; the pool of finalist manuscripts is read by series editor Nancy Zafris, who makes the final selection of two winning manuscripts and a runner-up. Authors of winning manuscripts receive a cash award of $1,000, and their collections are subsequently published by the University of Georgia Press under a standard book contract. Winners have ten days to accept the award and ten days to sign the contract once it is received.

Eligibility: The competition is open to writers in English, whether published or unpublished. Previous winners of this award are not eligible to win again. Writers must be residents of North America.

Manuscript Guidelines
  • Manuscripts should be 40,000-75,000 words in length. 
  • The award recognizes outstanding collections of short fiction. Collections may include long stories or novellas (est. length of a novella is 50-150 pages). However, novels or single novellas will not be considered. 
  • Please be sure manuscript pages are numbered. 
  • Please include a table of contents. 
  • Please use a standard, easy-to-read font such as Times New Roman in twelve-point size. 
  • Stories included in the submission may have appeared previously in magazines or anthologies but may not have been previously published in a book-length collection of the author’s own work. 
  • Authors may submit more than one manuscript to the competition for consideration as long as no material is duplicated between submissions. Each submission will require a separate entry fee. 
  • Manuscripts under consideration for this competition may be submitted elsewhere at the same time. Please withdraw your manuscript if it is accepted by another publisher and should no longer be considered for the Flannery O’Connor Short Fiction Award competition. Withdrawal can be completed via the submissions manager website. Entry fees are not refundable.
Blind review: The intent of this contest is that manuscripts will be considered on the merits of the fiction and that judges will not be aware of the names or publication records of the authors.
  • Please do not include your name on the pages of the manuscript—only in the form boxes of the electronic submission manager. The first page of the manuscript should include the title of the collection only. 
  • Please do not include a list of acknowledgments crediting where stories have been published. 
  • Judges who recognize work will recuse themselves, and the submission will be reassigned to a different judge.
Confirmation of receipt and notification: You should receive an e-mail confirmation immediately after submission. An announcement of winners will be sent to all entrants via e-mail by late summer. If you have any questions or concerns other than technical issues with the submissions manager, please contact us via e-mail at press@ugapress.uga.edu. The press will not accept phone calls regarding the Flannery O’Connor Award. 

Statement of Integrity: The University of Georgia is thoroughly committed to academic integrity in all of its endeavors, and the University of Georgia Press adheres to all University of Georgia policies and procedures. To help ensure the integrity of the competition, manuscripts are judged through a blind review process. Judges in the Flannery O'Connor Award for Short Fiction competition are instructed to avoid conflicts of interest of all kinds. 





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Why Naseer may have apologised for Rajesh Khanna comment

'For a working actor in Bollywood, it is nearly impossible to criticise its reigning deities.' 'Besides, due care ought to be taken when speaking of the dead too.'





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Why SRK?!!!!!

'No Indian citizen should be humiliated by the US authorities.''And Shah Rukh Khan happens to be one of India's most well known citizens.'







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Why Bollywood is not growing

'Aamir Khan, Shah Rukh Khan and Salman Khan now act in only about one film each year, and made money through advertisements and television.' 'This meant that many people, even if they had the money to spend on a movie and wanted to go, often had nothing available for them to watch.'





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Nobel for Dylan carpers, go home

'Show me songs that become larger than songs better than Dylan's.' 'Show me words that are like the master key to every human emotion under the sun better than Dylan's.' 'And show me someone who tosses it all out like Dylan does, every time.'




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Why we must support Ae Dil Hai Mushkil

Neither the filmmaker nor the actor who is being targeted, says Syed Firdaus Ashraf, has done anything illegal.






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Om Puri gave a scene dignity just by his presence

He had no airs about his talent, he did not intellectualise it, he just lived and breathed acting.




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Rocky showed up at The Golden Globes -- and she won!

Rocky showed up at The Golden Globes -- and she won! Raja Sen sums up the 74th Golden Globes perfectly.




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Haraamkhor: The pervert wants you to hold your ears

Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.




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Was it really necessary for Shah Rukh Khan to take a train trip?

Read about Rishi Kapoor's page-turning debut, SRK's super-charged turn in Raees, Sridevi as potential Dhoom vamp, Sanjay Dutt's contribution to Andaz Apna Apna and more in Sukanya Verma's super-film week.




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What's your baby watching?

How do the shows we watch and the songs we listen to, affect us? The question bothers Geetanjali Krishna after a domestic worker gushes about her six-month-old daughter's love for a nagin-themed TV show and Mika's Gandi Baat.




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Why is Sanjay Leela Bhansali being targeted?

'The film industry will remain soft targets and continue to be picked upon with no respite, with no choice but to give in due to personal safety and financial compulsions,' says director Suparn Verma.






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Bollywood autobiographies are the best!

'Bollywood's 'no prisoners taken' honesty comes as a big surprise.' 'I cannot think of a single judge, politician, sportsperson or bureaucrat being so forthright in their opinion of their contemporaries,' says T C A Srinivasa-Raghavan.







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Getting ready for the Baahubali juggernaut!

Prepping for the Baahubali juggernaut, remembering a toddler Vinod Khanna and making Deepika Padukone dance to Jennifer Lopez's tunes, Sukanya Verma's super filmi week was pretty eventful.





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I have to say: Justin Bieber, never, ever!

'Maybe for his fans, just to see him in the flesh was worth the ticket price.' 'Maybe they were satisfied with the gig, the whole deal.''For me, the night was a dreadful waste of time,' says Jahnavi Patel.




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Dancing the Munna Michael way!

A 1990s Bollywood album.Ranbir Kapoor as Balraj Sahni.Dimple Kapadia's Crowning Glory days. Agha-Mukri-Kesto's fun, fabulous, forgotten friendship.Sukanya Verma's super-filmi week was a complete blast from the past.




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5 Reasons Why Daniel Day-Lewis should not retire

Although famously reclusive and fitful in his creative output, Daniel Day-Lewis's decision to hang up his boots feels both untimely and unexpected.





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Super Filmi Week: John Wick's Amar Akbar Anthony moment

John Wick's Amar Akbar Anthony connection, filmi fundas from Gabbar Singh and best Bollywood songs of 2017 so far, everything you need to know about Sukanya Verma's super filmi week.







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Thank you for the laughs, Kundan Shah!

I am sad Kundan Shah is no more. I am sad he couldn't make the kind of films he wanted. But I am also grateful. He made me laugh. He made me cry. He made me believe in Hum Honge Kamyab and the power of a shooting star. Sukanya Verma salutes Kundan Shah.





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Secret Superstar removes the veil from Bollywood

'The Muslim identity of the family appears incidental to the subject of the film...''The self-sacrificing, suffering mother film could have belonged to any religion.''The abusive father, who prefers his son to his daughter, could have followed any religion.''That the Muslim household is remarkably free from religious symbolism is also the strength of the film,' feels Mohammad Asim Siddiqui.




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Just what is the hue and cry about S Durga and Nude?

Every time a filmmaker wishes to explore history or religion on his or her terms, self-appointed experts and limelight-seeking zealots swoop in to protest. Extreme prejudices are formed without even seeing the final product triggering a disturbingly destructive impulse, feels Sukanya Verma.




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Does Bhansali glorify jauhar?

'I am angry because this ever happened.' 'I am sad because it's painful to think what they must be going through.''I am glad we've fought hard to break through such cruel tradition.''But it burns my blood to think we're still holding on to regressive culture that is stemmed from preserving this so-called honour,' says Sukanya Verma.





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What Sridevi meant to 13-year-old me

Syed Firdaus Ashraf explains why the Bollywood legend will remain an eternal part of his life.